Margaret Ruthven Lang, another of Boston's gifted musical women, was born November 27, 1867. The name of her father, Mr. B. J. Lang, is familiar to all Americans who can claim to know anything of music. Her mother was an exquisite amateur singer, and in the musical atmosphere of the family the daughter's talents have had every opportunity to develop. She commenced her piano study under a pupil of her father's and continued it under paternal direction. She took up violin with Louis Schmidt in Boston, and carried it on with Drechsler and Abel in Munich, where she also began composition with Victor Gluth. After her return she continued her work for a time with Prof. John K. Paine and J. C. D. Parker, finishing her orchestration with George W. Chadwick. Her own persistent study has been of great advantage to her. She began composing at the age of twelve, numbering among her early works several songs and a movement of a piano quintette. Her efforts in larger forms have been unusually well received. Her "Dramatic Overture" was given by the Boston Symphony Orchestra in 1893, and in the same year Theodore Thomas performed her overture, "Witichis." Still another overture, "Totila," is in manuscript. Among other works are three orchestral arias, "Sappho's Prayer to Aphrodite," for alto; "Armida," for soprano; and the yet unperformed "Ph[oe]bus," for baritone. An orchestral ballade won much success in Baltimore in 1901. She has also written an orchestral cantata, a string quartette, and several works for violin and piano. Miss Lang has published a number of successful part-songs for men's, women's, and mixed voices. Of her fifty or more songs, all are more or less widely known. The favourites among them seem to be "My Lady Jacqueminot," "Meg Merrilies," "Deserted," "Eros," and the well-known sets, "Five Norman Songs," "Six Scotch Songs," "Three Songs of the Night," and "Three Songs of the East." Her piano music is also excellent, among the best examples being the Rhapsody, the Meditation, a poetic revery, the charming Spring Idyll, and her early suite, entitled "Petit Roman."