Woman—through a man's eyeglassSalaman, Malcolm C. (Malcolm Charles)
General
Woman—through a man's eyeglass
Salaman, Malcolm C. (Malcolm Charles)
Single women; Wives -- Anecdotes; Women -- Anecdotes; Women -- Social and moral questions
But the skittish propensities of Miss Kittenish do not confine
themselves to these mild sports. She is of opinion that her personal
charms are peculiarly attractive to men, and it is impossible to talk
to her without becoming conscious that she is endeavouring to construe
your conversation into a flirtation. She really imagines that she is
in a chronic state of defence against siege from our sex, and the
various ruses of primitive coquetry by which she endeavours to bring on
a general engagement are amusing to watch for a little while, though
their sameness soon palls. She perpetually asserts her determination
never to marry, until one begins naturally to wonder why she finds it
necessary to be so emphatic. I believe there is sufficient chivalry
still left among us to protect Miss Kittenish from being forced to any
step so avowedly repugnant to her feelings. Yet she will take pains to
tell you what pretty things this young man said to her, what attention
that old man paid her, and to insinuate that no party is really
considered complete unless she graces it. Her enthusiastic eagerness
for entertainment is perfectly amazing; offer her tickets for anything,
and she will accept them, be it only an amateur theatrical performance,
or a dramatic recital at a local institute. Of course, if she be the
happy possessor of gratuitous orders for the theatre, she is almost as
proud as if she knew an actor off the stage, which, I need hardly say,
is considered, in suburban circles, a very high distinction.
Miss Kittenish still looks to attain to this, however, for a friend of
the curate’s with whom, of course, she is associated in Sunday-school
matters, has promised to bring to their next social gathering an actor
who is a member of his angling club. Though he is not perhaps a leading
actor, and he still lives domestically with his wife and children,
he did once play “Claude Melnotte,” and is now a low comedian at a
West-end theatre, so that Miss Kittenish will be quite justified in
talking with casual impressiveness of her new acquaintance, when the
introduction is an accomplished fact. She and her sisters will lionise
him, and make him play games, and expect him to do all sorts of funny
things, so that their friends will go away and tell everybody how
they met Shoppy, the actor, at the Kittenishes’, and how amusing he
was, and how he told them all about “behind the scenes,” the way he
studied his own parts and taught all the other actors theirs, and
showed the dramatist how to make his play a success, the manager how
to produce it, and the leading actress how to act, and then said such
clever things about the injustice of the critics. Miss Kittenish has
her ambitions and her hero-worship, you see, and she always says that
her proper vocation is the stage. Perhaps she will take to it yet,
who knows? She is for ever volatile, and she never tires of playing
charades.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account