Married people -- Fiction; Suburban life -- Fiction; Women -- Fiction
But their immediate uproar cut her short. They clung together,
shrieking. “That’s not _your_ fault, _is_ it, Lily?” one of them became
coherent enough to inquire, whereupon they both doubled themselves,
rocked, gurgled, screamed, and clung again.
“What’s not my fault?” she asked.
“That he’s better!”
With that, they moved to be upon their way, still uproarious, still
clutching each other; and as they went they looked back to shout at her.
“He won’t get better very fast, will he, Lily?” one of them thus called
back to her, and, without pausing, replied to herself: “Not if you have
_your_ way!”
And the other: “Eleanor Gray and Harriet Joyce have nothing on _you_,
have they, Lily?”
They disappeared round a curving path, leaning upon each other from
exhaustion; and Lily stood looking after them frowningly. There had been
little good-nature in their raillery, and also there were mysterious and
vaguely unpleasant implications in it—particularly in the final jibe
about Eleanor Gray and Harriet Joyce. Miss Gray was the girl accused by
rumour of having sought to put herself upon James Herbert McArdle’s
train, and Miss Joyce was widely supposed to have fainted with the
deliberate purpose of attracting his attention. The implication of the
mirthful pair just encountered that Lily surpassed both Miss Gray and
Miss Joyce was plain enough—as if going to a hospital to read to a
patient were a mere manœuvre of the type to which the Gray and Joyce
manœuvres belonged! And as if one wouldn’t gladly give a little of one’s
time to a hospital patient who has become a patient through one’s own
fault! But more than mere rallying upon the hospital readings seemed to
have been implied; and as Lily thought the matter over, she felt that
something of the teasing pair’s meaning evaded her.
She had the same feeling after an interview the next day with one of her
nearest and dearest girl friends, who came to see her at home. “I don’t
want to be intrusive, dear,” the caller informed her, with sympathetic
but rather eager gravity. “You know me too well to believe I’d ask such
a thing out of pure curiosity; but I’ve simply _got_ to know how poor
Henry Burnett is taking it.”
“Taking what, Emma?”
“Lily! You know what I mean. I mean all this about you and Mr. McArdle.”
“‘All this’?” Lily repeated in a tone of cold inquiry. “I don’t see that
such a simple matter needs quite that sort of definition. Naturally, I’m
doing what I can to help him through his convalescence. Oughtn’t I to?
But perhaps you don’t know that I’m responsible for his _being_ in the
hospital, Emma.”
“Oh, yes,” Emma said, quietly, and she gave her friend a queer look.
“Yes, everybody knows that, Lily,” she went on in a thoughtful voice.
“Everybody! Yes, indeed!” She paused, then reverted to her former topic.
“I just wondered how poor Henry Burnett is taking it all.”
Public-domain text, read in full here on John Shaqi.
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