Women artists in all ages and countriesEllet, E. F. (Elizabeth Fries)
History
Women artists in all ages and countries
Ellet, E. F. (Elizabeth Fries)
Women artists
A low-born adventurer, who assumed the name of a gentleman of rank
and character--that of his master, Count Frederic de Horn--played a
conspicuous part at that time in London society, and was skillful
enough to deceive those with whom he associated. He approached our
artist, who was then about twenty-six, and in the bloom of her
existence. He paid his respects as one who rendered the deepest homage
to her genius; then he passed into the character of an unassuming and
sympathizing friend. Finally, he appealed to her romantic generosity
by representing himself as threatened with a terrible misfortune, from
which she only could save him by accepting him as her husband. A sudden
and secret marriage he averred was necessary.
Poor Angelica, who had shunned love on the banks of Como, and under the
glowing skies of Italy; and since her coming to London had rejected
many offers of the most advantageous alliance, that she might remain
free to devote herself to her art, was caught in the fine-spun snare,
and yielded to chivalrous pity for one she believed worthy of her
heart’s affection. The marriage was celebrated by a Catholic priest,
without the formality of writings, and without witnesses.
Angelica had received commissions to paint several members of the
royal family and eminent personages of the court, and her talents
had procured her the favorable notice of the Queen of England. One
day, while she was painting at Buckingham Palace, her majesty entered
into conversation with her, and Angelica communicated to her royal
friend the fact of her marriage. The queen congratulated her, and sent
an invitation to the Count de Horn to present himself at court. The
impostor, however, dared not appear so openly, and he kept himself very
close at home, for he well knew that it could not be long before the
deception would be discovered.
At length the suspicions of Angelica’s father, to whom her marriage had
been made known, led him to inquiries, which were aided by friends of
influence. About this time, some say, the real count returned, and was
surprised at being frequently congratulated on his marriage. Then came
the mortifying discovery that the pretended count was a low impostor.
The queen informed Angelica, and assured her of her sympathy.
Public-domain text, read in full here on John Shaqi.
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