Women artists in all ages and countriesEllet, E. F. (Elizabeth Fries)
History
Women artists in all ages and countries
Ellet, E. F. (Elizabeth Fries)
Women artists
She painted a portrait of Madame Le Brun. One of her latest works was
a picture representing Madame Recamier as a guardian angel watching a
slumbering child. “The Winter’s Day,” in twelve pieces, was a series
by her, and she also published a book of drawings jointly with
Hopner. Her “Lama,” exhibited at the Royal Academy in 1788, showed a
female figure reclining by a stream; and the striking likeness to Mrs.
Fitzherbert caused no little sensation.
MADAME TUSSAUD.
Madame Tussaud’s famous wax-work collection was first opened in Paris
about 1770, by M. Courcius, her uncle. Though consisting then chiefly
of busts, with a few full-length figures, it attracted much attention
as a novelty; and Louis XVI. was wont to amuse himself by placing
living figures, costumed, among the wax ones. In 1802 Madame Tussaud
opened her exhibition in London; afterward visiting all the large towns
in Great Britain. Her rooms were large and splendidly decorated, and
her figures were magnificently dressed--some in their own royal robes,
with crowns, stars, orders, and regal finery. Among the historical
groups is one of Henry VIII. and his family. The exhibition is still
kept up in the largest saloon in Europe, more than forty persons being
kept constantly employed in the care of it.
CHAPTER XIV.
THE EIGHTEENTH CENTURY.
Close of the golden Age of Art in France.--Corruption of
Manners.--Influence of female Genius.--Reign of Louis XVI.--Female
Energy in the Revolution.--Charlotte Corday.--Greater Number of
female Artists in Germany.--Reasons why.--French Women devoted
to Engraving.--Stamp-cutters.--A Sculptress enamored.--A few
Paintresses.--The Number increasing.--Influence of the great
French Masters.--Sèvres-painting.--Genre-painting.--Disciples
of Greuze.--Portrait-painting in vogue.--Caroline
Sattler.--Flower-painters, etc.--Engravers.--Two eminent
Paintresses.--Adelaide Vincent.--Marriage.--Portraits and other
Works.--The Revolution.--Elizabeth Le Brun.--Talent for Painting.--Her
Father’s Delight.--Instruction.--Friendship with Vernet.--Poverty and
Labor.--Avaricious Step-father.--Her Earnings squandered.--Success
and Temptation.--Acquaintance with Le Brun.--Maternal Counsels
to Marriage.--Secret Marriage.--Warnings too late.--The Mask
falls.--Luxury for the Husband, Labor and Privation for the
Wife.--Success and Scandal.--French Society.--Friendship with
Marie Antoinette.--La Harpe’s Poem.--Evening Receptions.--Splendid
Entertainments.--Scarcity of Seats.--Petits Soupers.--The Grecian
Banquet.--Reports concerning it.--Departure from France.--Triumphal
Progress.--Reception in Bologna.--In Rome.--In Naples.--In
Florence.--Madame Le Brun’s Portrait.--Goethe’s Remarks.--New
Honors.--Reception at Vienna.--An old Friend in Berlin.--Residence
in Russia.--Return to France.--Loyalty.--Her Pictures.--Death of her
Public-domain text, read in full here on John Shaqi.
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