Women in English Life from Mediæval to Modern Times, Vol. IHill, Georgiana
History
Women in English Life from Mediæval to Modern Times, Vol. I
Hill, Georgiana
Women -- Great Britain; Women -- History; Women -- Social conditions
It seems strange that in music women have shown so little creative
power. They have proved first-class executants, but as composers they
have not attempted any great flights. With a few exceptions their
productions have been confined to the lighter kinds of music, to songs
and the simpler class of pianoforte works. They have rarely attempted
orchestral pieces or the more elaborate forms of vocal composition.
Symphonies, oratorios, operas, or even cantatas have very seldom
issued from the pen of a woman. It is not, however, impossible that
creative capacity may have existed in many women without finding direct
expression or acknowledgment. Mendelssohn narrates how he was summoned
to play before the Queen, who wished that he should accompany her in
one of his compositions. He asked Her Majesty to select her favourite
song, and when the Queen had chosen what she called quite the best,
Mendelssohn was obliged to confess that the song was his sister’s
work, not his own. The elder Mendelssohn would probably have seen
more impropriety in his daughter’s name appearing in print than in
his son taking credit for what he had not composed. Just as Caroline
Herschell’s large share in her brother’s astronomic labours and Fanny
Mendelssohn’s authorship were not acknowledged, so is it impossible to
say that musical genius may not have been the heritage of some among
the women of famous composers’ families.
But women have always delighted in playing and singing, even in those
early periods of our history when music in this country was chiefly a
thing of ear and memory, there being hardly any musical literature and
very few professional instructors. In the middle ages, throughout the
Renaissance period, and down to the last century, music was part of
polite education for both sexes. At the present day a gentleman may go
comfortably through life with no more, if as much, knowledge of music
as a Board School child, and not be accused of lack of breeding. For a
woman in the middle and upper ranks, music has remained an essential
feature of education. Indeed, it has been made far too much of, and
many years are often wasted in attaining a very moderate degree of
executive skill, with little pleasure or profit, by those who have not
sufficient natural ability to make prolonged study useful.
Public-domain text, read in full here on John Shaqi.
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