Women in the fine arts, from the Seventh Century B.C. to the Twentieth Century A.D.Waters, Clara Erskine Clement
History
Women in the fine arts, from the Seventh Century B.C. to the Twentieth Century A.D.
Waters, Clara Erskine Clement
Women artists -- Biography
Mme. Marlef is a portrait painter. Her picture, "Manette Salomon," is in
the Hotel de Ville, Paris; the "Nymphe Accroupie" is in the Municipal
Museum of Nantes. Among her portraits of well-known women are those of
Jane Hading, Elsie de Wolfe, Bessie Abbott of the Opera, Rachel Boyer of
the Theatre Français, Marguerite Durand, Editeur de la Fronde, Mlle.
Richepin, and many others.
Mme. Marlef has the power of keen observation, so necessary to a painter
of portraits. Although there is a certain element of soft tenderness in
her pictures, the bold virility of her drawing misled the critics, who
for a time believed that her name was used to conceal the personality of
a man. A critic in the Paris _World_ writes of this artist: "She has
exquisite color sense and delights in presenting that _exaltation de la
vie_, that love, radiance, and joy of life, which are at once the secret
of the success and the keynote of the masterful canvases of Roll, in
whose studio were first developed Claude Marlef's delicate qualities of
truthful perception in the portraiture of woman.... Her perceptions being
rapid, she has a remarkable instantaneous insight, enabling her to fix
the dominant feature and soul of expression in each of the various types
among her numerous sitters."
Mme. Marlef's family name is Lefebure. Her husband died in 1891, the year
after their marriage, and she then devoted herself to the serious study
of painting, which she had practised from childhood. She first exhibited
at the Salon, 1895, and has exhibited annually since then. In 1902 she
sent her own portrait, and in 1903 that of Bessie Abbott, to the
Exhibition of the Société Nationale des Beaux-Arts.
<b>MARTIN DE CAMPO, VICTORIA.</b> Member of the Academy of Fine Arts of
Cadiz, her native city. In the different expositions of this and other
Andalusian capitals she has exhibited since 1840 many works, including
portraits, genre, historical pictures, and copies. Among them may be
mentioned "Susanna in the Bath," "David Playing the Harp before Saul," a
"Magdalen," a "Cupid," a "Boy with a Linnet," and a "Nativity." Some of
these were awarded prizes. In the Chapel of Relics in the new Cathedral
at Cadiz are her "Martyrdom of St. Lawrence" and a "Mater Dolorosa."
<b>MARTINEAU, EDITH.</b> Associate of Royal Society of Painters in
Water-Colors; member of the Hampstead Art Society. Born in Liverpool,
where she made her first studies in the School of Art, and later became a
pupil of the Royal Academy Schools, London.
Her pictures are not large and are principally figures or figures in
landscape, and all in water-colors. She writes very modestly that so many
are sold and in private hands that she will give no list of subjects.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account