<b>MOSER, MARY.</b> One of the original members of the London Academy. The daughter of a German artist, who resided in London. She was as well known for her wit as for her art. A friend of Fuseli, she was said to be as much in love with him as he was in love with Angelica Kauffman. Dr. Johnson sometimes met Miss Moser at the house of Nollekens, where they made merry over a cup of tea. Queen Charlotte commissioned this painter to decorate a chamber, for which work she paid more than nine hundred pounds, and was so well pleased that she complimented the artist by commanding the apartment to be called "Miss Moser's Room." <b>MOTT, MRS. ALICE.</b> Born at Walton on Thames. Pupil of the Slade School and Royal Academy in London, and of M. Charles Chaplin in Paris in his studio. A miniaturist whose works are much esteemed. Her work is life-like, artistic, and strong in drawing, color, and composition. After finishing her study under masters she took up miniature painting by herself, studying the works of old miniaturists. Recently she writes me: "I have departed from the ordinary portrait miniature, and am now painting what I call picture miniatures. For instance, I am now at work on the portrait of Miss D. C., who is in old-fashioned dress, low bodice, and long leg-of-mutton sleeves. She is represented as running in the open, with sky and tree background. She has a butterfly net over her shoulder, which floats out on the wind; she is looking up and smiling; her hair and her sash are blown out. It is to be called, 'I'd be a Butterfly.' The dress is the yellow of the common butterfly. It is a large miniature. I hope to send it, with others, to the St. Louis Exposition." Her miniatures are numerous and in private hands. A very interesting one belongs to the Bishop of Ripon and is a portrait of Mrs. Carpenter, his mother. <b>MUNTZ, LAURA A.</b> [_No reply to circular_.] <b>MURRAY, ELIZABETH.</b> Member of the Institute of Painters in Water-Colors, London, and of the American Society of Water-Color Painters, New York. Her pictures are of genre subjects, many of them being of Oriental figures. Among these are "Music in Morocco," "A Moorish Saint," "The Greek Betrothed," etc. Other subjects are "The Gipsy Queen," "Dalmatian Peasant," "The Old Story in Spain," etc. <b>NATHAN, SIGNORA LILIAH ASCOLI.</b> Rome. [_No reply to circular_.] <b>NEGRO, TERESA.</b> Born in Turin, where she resides. She has made a study of antique pottery and has been successful in its imitation. Her vases and amphorae have been frequently exhibited and are praised by connoisseurs and critics. At the Italian National Exposition, 1880, she exhibited a terra-cotta reproduction of a classic design, painted in oils; also a wooden dish which resembled an antique ceramic.