Opening the text

Women in the fine arts, from the Seventh Century B.C. to the Twentieth Century A.D.Waters, Clara Erskine Clement

History

Women in the fine arts, from the Seventh Century B.C. to the Twentieth Century A.D.

Name: Women in the fine arts, from the Seventh Century B.C. to the Twentieth Century A.D.
Author: Waters, Clara Erskine Clement

Waters, Clara Erskine Clement

Women artists -- Biography

<b>SYAMOUR, MME. MARGUERITE.</b> Honorable mention, 1887; bronze medal at
Exposition at Lyons. Born at Bréry, 1861. Pupil of Mercié. Her principal
works are a plaster statue, "New France," 1886, in the Museum of
Issoudun; a statue of Voltaire; a plaster statue, "Life"; a plaster
group, the "Last Farewells"; a statue of "Diana," in the Museum of
Amiens; a great number of portrait busts, among them those of Jules
Grévy, Flammarion, J. Claretie, etc.

At the Salon, Artistes Français, 1902, this artist exhibited a "Portrait
of M. G. L.," and in 1904 "A Vision" and "La Dame aux Camelias."



<b>TAYLOR, ELIZABETH V.</b> Sears prize, Boston Art Museum; bronze medal,
Nashville Exposition, 1897. Member of the Copley Society, Boston. Pupil
of E. C. Tarbell and Joseph de Camp in the School of the Museum of Fine
Arts, Boston.

This artist paints portraits in miniature and in life size. Her works are
numerous and have been seen in many exhibitions.



<b>THAULOW, MME. ALEXANDRA.</b> Wife of the great Scandinavian painter.
This lady is an artist in bookbinding and her work is much admired. A
writer, H. F., says, in the _Studio_, December, 1903: "When the
exhibition of bookbinding was held some time ago at the Musée Galliera,
Madame Thaulow's showcase attracted attention by its variety and its
grace. The charm of these bindings lies in the fact that they have none
of the massive heaviness of so many productions of this kind. One should
be able to handle a book with ease, and not be forced to rest content
with beholding it displaying its beauties behind glass or on the library
shelf; and Madame Thaulow understood this perfectly when she executed the
bindings now reproduced here. But these bindings are interesting not only
from the standpoint of their utility and intelligent application; their
ornamentation delights one by its graceful interpretation of Nature,
rendered with a very special sense of decoration; moreover, the coloring
of these mosaics of leather is restrained and fresh, and the hollyhocks
and the hortensias, the bunches of mistletoe and the poppies, which form
some of her favorite _motifs_, go to make up a delicious symphony."



<b>THEVENIN, MARIE ANNE ROSALIE.</b> Medals at the Salons of 1849, 1859,
1861. Born at Lyons. Pupil of Leon Cogniet. Portrait and figure painter.
Among her pictures the following are noticeable: "Flora McIvor and Rose
Bradwardine," 1848; "Portrait of Abbé Jacquet," 1859; "Portrait of a
Lady," 1861.



<b>THOMAS-SOYER, MME. MATHILDE.</b> Honorable mention, 1880; third-class
medal, 1881; bronze medal, Exposition, 1889. Born at Troyes, 1859. Pupil
of Chapu and Cain. The principal works of this sculptor are: "A Russian
Horse"; "Lost Dogs"; "Russian Greyhounds"; "Huntsmen and a Poacher," in
the Museum of Semur; "Combat of Dogs," purchased by the Government; "Cow
and Calf," in the Museum of Nevers; "Stag and Bloodhound," in the Museum
of Troyes, etc.

Public-domain text, read in full here on John Shaqi.

Opening the text

Women in the fine arts, from the Seventh Century B.C. to the Twentieth Century A.D.Waters, Clara Erskine Clement

History

Women in the fine arts, from the Seventh Century B.C. to the Twentieth Century A.D.

Waters, Clara Erskine Clement

Women artists -- Biography

<b>SYAMOUR, MME. MARGUERITE.</b> Honorable mention, 1887; bronze medal at
Exposition at Lyons. Born at Bréry, 1861. Pupil of Mercié. Her principal
works are a plaster statue, "New France," 1886, in the Museum of
Issoudun; a statue of Voltaire; a plaster statue, "Life"; a plaster
group, the "Last Farewells"; a statue of "Diana," in the Museum of
Amiens; a great number of portrait busts, among them those of Jules
Grévy, Flammarion, J. Claretie, etc.

At the Salon, Artistes Français, 1902, this artist exhibited a "Portrait
of M. G. L.," and in 1904 "A Vision" and "La Dame aux Camelias."



<b>TAYLOR, ELIZABETH V.</b> Sears prize, Boston Art Museum; bronze medal,
Nashville Exposition, 1897. Member of the Copley Society, Boston. Pupil
of E. C. Tarbell and Joseph de Camp in the School of the Museum of Fine
Arts, Boston.

This artist paints portraits in miniature and in life size. Her works are
numerous and have been seen in many exhibitions.



<b>THAULOW, MME. ALEXANDRA.</b> Wife of the great Scandinavian painter.
This lady is an artist in bookbinding and her work is much admired. A
writer, H. F., says, in the _Studio_, December, 1903: "When the
exhibition of bookbinding was held some time ago at the Musée Galliera,
Madame Thaulow's showcase attracted attention by its variety and its
grace. The charm of these bindings lies in the fact that they have none
of the massive heaviness of so many productions of this kind. One should
be able to handle a book with ease, and not be forced to rest content
with beholding it displaying its beauties behind glass or on the library
shelf; and Madame Thaulow understood this perfectly when she executed the
bindings now reproduced here. But these bindings are interesting not only
from the standpoint of their utility and intelligent application; their
ornamentation delights one by its graceful interpretation of Nature,
rendered with a very special sense of decoration; moreover, the coloring
of these mosaics of leather is restrained and fresh, and the hollyhocks
and the hortensias, the bunches of mistletoe and the poppies, which form
some of her favorite _motifs_, go to make up a delicious symphony."



<b>THEVENIN, MARIE ANNE ROSALIE.</b> Medals at the Salons of 1849, 1859,
1861. Born at Lyons. Pupil of Leon Cogniet. Portrait and figure painter.
Among her pictures the following are noticeable: "Flora McIvor and Rose
Bradwardine," 1848; "Portrait of Abbé Jacquet," 1859; "Portrait of a
Lady," 1861.



<b>THOMAS-SOYER, MME. MATHILDE.</b> Honorable mention, 1880; third-class
medal, 1881; bronze medal, Exposition, 1889. Born at Troyes, 1859. Pupil
of Chapu and Cain. The principal works of this sculptor are: "A Russian
Horse"; "Lost Dogs"; "Russian Greyhounds"; "Huntsmen and a Poacher," in
the Museum of Semur; "Combat of Dogs," purchased by the Government; "Cow
and Calf," in the Museum of Nevers; "Stag and Bloodhound," in the Museum
of Troyes, etc.

Public-domain text, read in full here on John Shaqi.

Women in the fine arts, from the Seventh Century B.C. to the Twentieth Century A.D.

Women in the fine arts, from the Seventh Century B.C. to the Twentieth Century A.D.

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