Women in the fine arts, from the Seventh Century B.C. to the Twentieth Century A.D.Waters, Clara Erskine Clement
History
Women in the fine arts, from the Seventh Century B.C. to the Twentieth Century A.D.
Waters, Clara Erskine Clement
Women artists -- Biography
Mme. Le Brun had one habit with which she allowed nothing to interfere,
which was taking a rest after her work for the day was done. She called
it her "calm," and to it she attributed a large share of her power of
endurance, although it lost her many pleasures. She could not go out to
dinner or entertain at that hour. The evening was her only time for
social pleasures. But when one reads her "Souvenirs," and realizes how
many notable people she met in her studio and in evening society, it
scarcely seems necessary to regret that she could not dine out!
Mme. Le Brun was at one period thought to be very extravagant, and one of
her entertainments caused endless comments. Her own account of it shows
how greatly the cost was exaggerated. She writes that on one occasion she
invited twelve or fifteen friends to listen to her brother's reading
during her "calm." The poem read was the "Voyage du jeune Anacharsis en
Grèce," in which a dinner was described, and even the receipts for making
various sauces were given. The artist was seized with the idea of
improvising a Greek supper.
She summoned her cook and instructed her in what had been read. Among her
guests were several unusually pretty ladies, who attired themselves in
Greek costumes as nearly as the time permitted. Mme. Le Brun retained the
white blouse she wore at her work, adding a veil and a crown of flowers.
Her studio was rich in antique objects, and a dealer whom she knew loaned
her cups, vases, and lamps. All was arranged with the effect an artist
knows how to produce.
As the guests arrived Mme. Le Brun added here and there an element of
Grecian costume until their number was sufficient for an effective
_tableau vivant_. Her daughter and a little friend were dressed as pages
and bore antique vases. A canopy hung over the table, the guests were
posed in picturesque attitudes, and those who arrived later were arrested
at the door of the supper-room with surprise and delight.
It was as if they had been transported to another clime. A Greek song was
chanted to the accompaniment of a lyre, and when the honey, grapes, and
other dishes were served _à la Grecque_, the enchantment was complete.
The poet recited odes from Anacreon and all passed off delightfully.
Public-domain text, read in full here on John Shaqi.
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