Women in the fine arts, from the Seventh Century B.C. to the Twentieth Century A.D.Waters, Clara Erskine Clement
History
Women in the fine arts, from the Seventh Century B.C. to the Twentieth Century A.D.
Waters, Clara Erskine Clement
Women artists -- Biography
She has been commissioned by the State of Missouri to make a statue to
represent "The Spirit of the State of Missouri," for the Louisiana
Purchase Exposition.
[_No reply to circular_.]
<b>WOODBURY, MARCIA OAKES.</b> Prize at Boston Art Club; medals at
Mechanics' Association Exhibition, Atlanta and Nashville Expositions.
Member of the New York and Boston Water-Color Clubs. Born at South
Berwick, Maine. Pupil of Tommasso Juglaris, in Boston, and of Lasar, in
Paris.
Mrs. Woodbury paints in oils and water-colors; the latter are genre
scenes, and among them are several Dutch subjects. She has painted
children's portraits in oils. Her pictures are in private hands in
Boston, New York, Chicago, and Cincinnati. "The Smoker," and "Mother and
Daughter," a triptych, are two of her principal pictures.
<b>WOODWARD, DEWING.</b> Grand prize of the Academy Julian, 1894. Member of
Water-Color Club, Baltimore; Charcoal Club, Baltimore; L'Union des Femmes
Peintres et Sculpteurs de France. Born at Williamsport, Pennsylvania.
Pupil of Pennsylvania Academy a few months; in Paris, of Bouguereau,
Robert-Fleury, and Jules Lefebvre.
Her "Holland Family at Prayer," exhibited at the Paris Salon, 1893, and
"Jessica," belong to the Public Library in Williamsport; "Clam-Diggers
Coming Home--Cape Cod" was in the Venice Exhibition, 1903; one of her
pictures shows the "Julian Academy, Criticism Day."
She has painted many portraits, and her work has often been thought to
be that of a man, which idea is no doubt partly due to her choosing
subjects from the lives of working men. She is of the modern school of
colorists.
<b>WRIGHT, ETHEL.</b> This artist contributed annually to the exhibitions
of the London Academy from 1893 to 1900, as follows: In 1893 she
exhibited "Milly" and "Echo"; in 1894, "The Prodigal"; in 1895, a
water-color, "Lilies"; in 1896, "Rejected"; in 1897, a portrait of Mrs.
Laurence Phillips; in 1898, "The Song of Ages," reproduced in this book;
in 1899, a portrait of Mrs. Arthur Strauss; and in 1900, one of Miss
Vaughan.
[_No reply to circular_.]
<b>WRIGHT, MRS. PATIENCE.</b> Born at Bordentown, New Jersey, 1725, of a
Quaker family. When left a widow, with three children to care for, she
went to London, where she found a larger field for her art than she had
in the United States, where she had already made a good reputation as a
modeller in wax. By reason of this change of residence she has often been
called an English sculptress.
Although the imaginative and pictorial is not cultivated or even approved
by Quakers, Patience Lovell, while still a child, and before she had seen
works of art, was content only when supplied with dough, wax, or clay,
from which she made figures of men and women. Very early these figures
became portraits of the people she knew best, and in the circle of her
family and friends she was considered a genius.
Public-domain text, read in full here on John Shaqi.
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