Women in the fine arts, from the Seventh Century B.C. to the Twentieth Century A.D.Waters, Clara Erskine Clement
History
Women in the fine arts, from the Seventh Century B.C. to the Twentieth Century A.D.
Waters, Clara Erskine Clement
Women artists -- Biography
<b>BRACQUEMOND, MME. MARIE.</b> Pupil of Ingres. A portrait painter, also
painter of genre subjects. At the Salon of 1875 she exhibited "The
Reading"; in 1874 "Marguerite." She has been much occupied in the
decoration of the Haviland faience, a branch of these works, at Auteuil,
being at one time in charge of her husband, Félix Bracquemond. In 1872 M.
Bracquemond was esteemed the first ceramic artist in France. An eminent
French critic said of M. and Mme. Bracquemond: "You cannot praise too
highly these two artists, who are as agreeable and as clever as they are
talented and esteemed."
Mme. Bracquemond had the faculty of employing the faience colors so well
that she produced a clearness and richness not attained by other artists.
The progress made in the Haviland faience in the seventies was very
largely due to Mme. Bracquemond, whose pieces were almost always sold
from the atelier before being fired, so great was her success.
<b>BRANDEIS, ANTOINETTA.</b> Many prizes at the Academy of Venice. Born of
Bohemian parents in Miscova, Galitza, 1849. Pupil of Iavurek, of Prague,
in the beginning of her studies, but her father dying and her mother
marrying again, she was taken to Venice, where she studied in the Academy
several years under Grigoletti, Moja, Bresolin, Nani, and Molmenti.
Although all her artistic training was received in Italy and she made
her first successes there, most of her works have been exhibited in
London, under the impression that she was better understood in England.
Annoyed by the commendation of her pictures "as the work of a woman," she
signed a number of her canvases Antonio Brandeis. Although she painted
religious subjects for churches, her special predilection is for views of
Venice, preferably those in which the gondola appears. She has studied
these in their every detail. "Il canale Traghetto de' San Geremia" is in
the Museum Rivoltella at Trieste. This and "Il canale dell' Abbazia della
Misericordia" have been much commended by foreign critics, especially the
English and Austrians. Other Venetian pictures are "La Chiese della
Salute," "Il canale de' Canalregio," and "La Pescaria."
<b>BRESLAU, LOUISA CATHERINE.</b> Gold medal at Paris Exposition, 1889;
gold medal at Paris Exposition, 1900. Chevalier of the Legion of Honor,
1901. Member of the Société Nationale des Beaux-Arts. A Swiss artist, who
made her studies at the Julian Academy under Robert-Fleury.
She has painted many portraits. Her picture "Under the Apple-Tree" is in
the Museum at Lausanne; the "Little Girls" or "The Sisters" and the
"Child Dreamer"--exhibited at Salon, 1902--are in the Gallery of the
Luxembourg; the "Gamins," in the Museum at Carpentras; the "Tea Party,"
at the Ministry of the Interior, Paris.
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