Women in the fine arts, from the Seventh Century B.C. to the Twentieth Century A.D.Waters, Clara Erskine Clement
History
Women in the fine arts, from the Seventh Century B.C. to the Twentieth Century A.D.
Waters, Clara Erskine Clement
Women artists -- Biography
<b>COMAN, CHARLOTTE B.</b> Bronze medal, California Mid-Winter Exposition,
1894. Member of New York Water-Color Club. Born in Waterville, N. Y.
Pupil of J. R. Brevoort in America, of Harry Thompson and Émile Vernier
in Paris. This artist has painted landscapes, and sent to the
Philadelphia Exposition in 1876 "A French Village"; to the Paris
Exposition, 1878, "Near Fontainebleau." In 1877 and 1878 she exhibited in
Boston, "On the Borders of the Marne" and "Peasant House in Normandy."
[_No reply to circular_.]
<b>COMERRE-PATON, MME. JACQUELINE.</b> Honorable mention, 1881; medal at
Versailles; officer of the Academy. Born at Paris, 1859. Pupil of
Cabanel. Her principal works are: "Peau d'Ane, Hollandaise," in the
Museum of Lille; "Song of the Wood," Museum of Morlaix; "Mignon,"
portrait of Mlle. Ugalde; the "Haymaker," etc.
<b>COOKESLEY, MARGARET MURRAY.</b> Decorated by the Sultan of Turkey with
the Order of the Chefakat, and with the Medaille des Beaux Arts, also a
Turkish honor. Medal for the "Lion Tamers in the Time of Nero." Member of
the Empress Club. Born in Dorsetshire. Studied in Brussels under Leroy
and Gallais, and spent a year at South Kensington in the study of
anatomy. Mrs. Cookesley has lived in Newfoundland and in San Francisco. A
visit to Constantinople brought her a commission to paint a portrait of
the son of the Sultan. No sittings were accorded her, the Sultan
thinking a photograph sufficient for the artist to work from. Fortunately
Mrs. Cookesley was able to make a sketch of her subject while following
the royal carriage in which he was riding. The portrait proved so
satisfactory to the Sultan that he not only decorated the artist, but
invited her to make portraits of some of his wives, for which Mrs.
Cookesley had not time. Her pictures of Oriental subjects have been
successful. Among these are: "An Arab Café in the Slums of Cairo," much
noticed in the Academy Exhibition of 1895; "Noon at Ramazan," "The
Snake-Charmer," "Umbrellas to Mend--Damascus," and a group of the
"Soudanese Friends of Gordon." Her "Priestess of Isis" is owned in Cairo.
Among her pictures of Western subjects are "The Puritan's Daughter,"
"Deliver Us from Evil," "The Gambler's Wife." "Widowed" and "Miss Calhoun
as Salome" were purchased by Maclean, of the Haymarket Theatre; "Death of
the First-Born" is owned in Russia; and "Portrait of Ellen Terry as
Imogen" is in a private collection.
"Lion Tamers in the Time of Nero" is one of her important pictures of
animals, of which she has made many sketches.
<b>COOPER, EMMA LAMPERT.</b> Awarded medal at World's Columbian Exposition,
1893; bronze medal, Atlanta Exposition, 1895. Member of Water-Color Club
and Woman's Art Club, New York; Water-Color Club and Plastic Club,
Philadelphia; Woman's Art Association, Canada; Women's International Art
Club, London.
Public-domain text, read in full here on John Shaqi.
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