Women in the fine arts, from the Seventh Century B.C. to the Twentieth Century A.D.Waters, Clara Erskine Clement
History
Women in the fine arts, from the Seventh Century B.C. to the Twentieth Century A.D.
Waters, Clara Erskine Clement
Women artists -- Biography
This decided her to test herself, and, obtaining wax and the proper
tools, she worked industriously until she had made a head that she was
willing to show to others. She then presented it to Hume; it has been
said that it was his own portrait, but we do not know if this is true. At
all events, Hume was forced to commend her work, and added that modelling
in wax was very easy, but to chisel in marble was quite another task.
Piqued by this scant praise she worked on courageously, and before long
showed her critic a copy of the wax head done in marble.
Though Hume genuinely admired certain portions of this work, it is not
surprising that he also found defects in it. Doubtless his critical
attitude stimulated the young sculptress to industry; but the true
art-impulse was awakened, and her friends soon observed that Miss Conway
was no longer interested in their usual pursuits. When the whole truth
was known, it caused much comment. Of course ladies had painted, but to
work with the hands in wet clay and be covered with marble dust--to say
the least, Miss Conway was eccentric.
She at once began the study of anatomy under Cruikshanks, modelling with
Cerrachi, and the handling of marble in the studio of Bacon.
Unfortunately for her art, she was married at nineteen to John Darner,
eldest son of Lord Milton, a fop and spendthrift, who had run through a
large fortune. He committed suicide nine years after his marriage. It is
said that Harrington, in Miss Burney's novel of "Cecilia," was drawn from
John Damer, and that his wardrobe was sold for $75,000--about half its
original cost!
Mrs. Damer was childless, and very soon after her husband's death she
travelled in Europe and renewed her study and practice of sculpture with
enthusiasm. By some of her friends her work was greatly admired, but
Walpole so exaggerated his praise of her that one can but think that he
wrote out of his cousinly affection for the artist, rather than from a
judicial estimate of her talent. He bequeathed to her, for her life, his
villa of Strawberry Hill, with all its valuables, and £2,000 a year for
its maintenance.
Public-domain text, read in full here on John Shaqi.
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