<b>FLESCH-BRUNNENGEN, LUMA VON.</b> Born in Brünn in 1856. In Vienna she worked under Schöner, the interpreter of Venetian and Oriental life, and later in Munich she acquired technical facility under Frithjof Smith. Travels in Italy, France, and Northern Africa furnished many of her themes--mostly interiors with figures, in which the entering light is skilfully managed. "The Embroiderers," showing three characteristic figures, who watch the first attempt of their seriously earnest pupil, is full of humor. In sharp contrast to this is a "Madonna under the Cross," exhibited at Berlin in 1895, in which the mother's anguish is most sympathetically rendered. "Devotion," "Shelterless," and the "Kitchen Garden" are among the paintings which have won her an excellent reputation as a genre painter. <b>FLEURY, MME. FANNY.</b> [_No reply to circular_.] <b>FOCCA, SIGNORA ITALIA ZANARDELLI.</b> Silver medal at Munich, 1893; diploma of gold medal at Women's Exhibition, London, 1900. Member of Società Amatorie Pittori di Belle Arti, of the Unione degli Artisti, and of the Società Cooperativa, all in Rome. Born in Padua, 1872. Pupil of Ottin in Paris, and of the Academy of Fine Arts in Rome. The principal works of this sculptor are a "Bacchante," now in St. Petersburg; "Najade," sold in London; "The Virgin Mother," purchased by Cavaliere Alinari of Florence; portrait of the Minister Merlo, which was ordered by the Ministry of Public Instruction. Many other less important works are in various Italian and foreign cities. Signora Focca is a professor of drawing in the Normal Schools of Rome. <b>FOLEY, MARGARET E.</b> A native of New Hampshire. Died in 1877. Without a master, in the quiet of a country village, Miss Foley modelled busts in chalk and carved small figures in wood. At length she made some reputation in Boston, where she cut portraits and ideal heads in cameo. She went to Rome and remained there. She became an intimate friend of Mr. and Mrs. Howitt, and died at their summer home in the Austrian Tyrol. Among her works are busts of Theodore Parker, Charles Sumner, and others; medallions of William and Mary Howitt, Longfellow, and Bryant; and several ideal statues and bas-reliefs. In a critical estimate of Miss Foley we read: "Her head of the somewhat impracticable but always earnest senator from Massachusetts--Sumner--is unsurpassable and beyond praise. It is simple, absolute truth, embodied in marble."--_Tuckerman's Book of the Artists._ "Miss Foley's exquisite medallions and sculptures ought to be reproduced in photograph. Certainly she was a most devoted artist, and America has not had so many sculptors among women that she can afford to forget any one of them."--_Boston Advertiser,_ January, 1878.