Madame Hanska had constantly refused to be separated from her
daughter, but now Balzac hoped that he could hasten matters, so he
applied to his boyhood friend, M. Germeau, prefect of Metz, to see if
he, in his official capacity, could not waive the formality of the law
and accelerate his marriage; but since all Frenchmen are equal before
the /etat-civil/, this could not be accomplished.
It was during their extensive travels in 1846 that Balzac began
calling the party "Bilboquet's troup of mountebanks": Madame Hanska
became Atala; Anna, Zephirine; George, Gringalet; and Balzac,
Bilboquet. Although Madame Hanska cautioned him about his extravagance
in gathering works of art, he persisted in buying them while
traveling, so it became necessary to find a home in which to place his
collection. It is an interesting fact that while making this
collection, he was writing /Le Cousin Pons/, in which the hero has a
passion for accumulating rare paintings and curios with which he fills
his museum and impoverishes himself. Balzac had purposed calling this
book /Le Parasite/, but Madame Hanska objected to this name, which
smacked so strongly of the eighteenth century, and he changed it. As
he was also writing /La Cousine Bette/ at this time, we can see not
only that his power of application had returned to him, but that he
was producing some of his strongest work.
For some time Balzac had been looking for a home worthy of his
/fiancee/ and had finally decided on the Villa Beaujon, in the rue
Fortunee. Since this home was created "for her and by her," it was
necessary for her to be consulted in the reconstruction and decoration
of it, so he brought her secretly to Paris, and her daughter and son-
in-law returned to Wierzchownia. This was not only a long separation
for so devoted a mother and daughter, but there was some danger lest
her incognito be discovered; Balzac, accordingly, took every
precaution. It is easy to picture the extreme happiness of the
novelist in conducting his /Louloup/ over Paris, in having her near
him while he was writing some of his greatest masterpieces, and,
naturally, hoping that the everlasting debts would soon be defrayed
and the marriage ceremony performed, but fortunately, he was not
permitted to know beforehand of the long wait and the many obstacles
that stood in his way.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account