They seem to have had many enjoyable hours with each other. She
relates that one evening when she and some friends had been dining
with Balzac, after a rather peculiar dinner he put on with childish
glee, a beautiful brand-new /robe de chambre/ to show it to them, and
purposed to accompany them in this costume to the Luxembourg, with a
candlestick in his hand. It was late, the place was deserted, and when
George Sand suggested that in returning home he might be assassinated,
he replied: "Not at all! If I meet thieves they will think me insane,
and will be afraid of me, or they will take me for a prince, and will
respect me." It was a beautiful calm night, and he accompanied them
thus, carrying his lighted candle in an exquisite carved candlestick,
talking of his four Arabian horses, which he never had had, but which
he firmly believed he was going to have. He would have conducted them
to the other end of Paris, if they had permitted him.
Once George Sand and Balzac had a discussion about the /Contes
droletiques/ during which she said he was shocking, and he retorted
that she was a prude, and departed, calling to her on the stairway:
"/Vous n'etes qu'une bete!/" But they were only better friends after
this.
Early in their literary career Balzac held this opinion of her: "She
has none of the littleness of soul nor any of the base jealousies
which obscure the brightness of so much contemporary talent. Dumas
resembles her in this respect. George Sand is a very noble friend, and
I would consult her with full confidence in my moments of doubt on the
logical course to pursue in such or such a situation; but I think she
lacks the instinct of criticism: she allows herself to be too easily
persuaded; she does not understand the art of refuting the arguments
of her adversary nor of justifying herself." He summarized their
differences by telling her that she sought man as he ought to be, but
that he took him as he is.
If Madame Hanska was not jealous of George Sand, she was at least
interested to know the relations existing between her and Balzac, for
we find him explaining: "Do not fear, madame, that Zulma Dudevant will
ever see me attached to her chariot. . . . I only speak of this
because more celebrity is fastened on that woman than she deserves;
which is preparing for her a bitter autumn. . . . /Mon Dieu!/ how is
it that with such a splendid forehead you can think little things! I
do not understand why, knowing my aversion for George Sand, you make
me out her friend." Since Madame Hanska was making a collection of
autographs of famous people, Balzac promised to send her George
Sand's, and he wished also to secure one of Aurore Dudevant, so that
she might have her under both forms.
Public-domain text, read in full here on John Shaqi.
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