Women in the Printing Trades: A Sociological Study.
General
Women in the Printing Trades: A Sociological Study.
Printing industry -- Great Britain; Women -- Employment -- Great Britain; Women printers -- Great Britain; Working class women -- Great Britain
What has been said of feeders under letterpress printing is generally
true of feeders in the lithographic branch. The only difference seems to
be one of social position. Girls employed in feeding lithographic
machines are "higher,"[97] "less filthy in talk," etc. They form the
intermediate class, of which the girls in the bookbinding and warehouse
departments are at the top. In one shop where all three classes are
employed, the manager remarked that these caste distinctions were "clean
cut," and obvious to the most casual observer.
[Footnote 97: They are supposed to be lower in London, Manchester,
etc.--[Ed.]]
(C.) _Letterpress Printing. Type-setting._
The employment of women as compositors is a "vexed question." In two
shops only are they so employed in Glasgow, and both are on the black
list of the local trade union. Inasmuch as the conditions which obtain
in these shops differ in important respects, they are here described
separately.
Firm No. 1 introduced women as compositors some nine or ten years ago,
when a dispute with the union ensued. It now employs about a dozen women
at the cases. Girls are taken on at any age after fourteen. In three
months' time they are able to set up type in "solid dig," _i.e._,
newspaper or book matter, consisting of solid uniform paragraphs. Three
girls who have spent about eight years with this firm are declared to be
"good at displaying," and "more competent than the ordinary journeyman."
Beginners get 6_s._ a week during the first year, and in the third year
are put on piecework rates. There are no indentures. Capable women
compositors may earn 24_s._ a week, while their average earnings may be
put at 22_s._ a week, and they never sink below a pound. Young workers
make an average of 18_s._ a week or thereabouts. The normal week is one
of fifty-one hours, made up as follows:--
8 a.m. to 1 p.m. and 2 p.m. to 6 p.m. on four days.
8 a.m. to 1 p.m. and 2 p.m. to 7 p.m. on Wednesdays.
8 a.m. to 1 p.m. on Saturdays.
A compositor sometimes acts as "clicker," _i.e._, checks the amount of
piecework, but this is usually done by a clerk. No married women are
employed. Overtime is paid time and a half, and women are fined a penny
for being late.
Firm No. 2 employed at one time about two dozen girls in the
composing-rooms. They were engaged solely on solid newspaper work, and
never in the higher branches of the trade, such as "displaying." Seats
were provided for them. They worked a forty-eight hour week for a "stab"
wage of 15_s._ or 16_s._, and had three weeks' holiday, off and on, for
which they were paid. Further, they were never turned away in slack
time. But the experiment was not altogether a success, and by to-day the
two dozen have dwindled down to two, who set for newspapers and get
16_s._ a week. The reasons assigned for the gradual reversion to the
employment of men are as follows:--
(_a_) Irregularity of the women's attendance at work.
(_b_) Their shorter hours.
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