Women -- Religious aspects -- Christianity; Women in the Bible
The remains of Tabitha were carefully laid in a retired upper chamber.
And now there was hurry and bustle in preparation for the final rites.
Friends were sent for, neighbors were present, the funeral arrangements
were discussed, the mourning procured, the hospitalities of the house
provided for. All was excitement--the loss was not then perceived in
all its greatness. But after the preparations were all made, after the
bustle had subsided, and the watchers had come for the night, then it
was that the friends of Tabitha began to realize what had befallen
them. Now the house seemed so still and sepulchral, though in the heart
of the city, and though its threshold was still trodden by friendly
feet, it seemed so empty. The apartments--how deserted! especially
the room where she struggled and surrendered in the last conflict.
There are the clothes, the garments and unfinished coat, there was the
vacant chair and idle work-basket. During her sickness they had not
so much noticed these things, for they were ever hopeful that these
things might be used or occupied again. But now it can not be, and they
perceive the dreadful vacancy everywhere.
Oh, how dark and cheerless the shadows came down over that home! No
moon or stars have ever shown so dimly--no darkness ever seemed so
utterly dark. The ticking of the clock resounds like bell-strokes all
over the house. Such deep silence! No footsteps now on the stairs, or
in the sick-chamber; no nurse to come and say, “she is not so well,”
and come and ask for you. No, indeed, only the silent watchers move
about with muffled step, and “you may sleep on now and take your rest,”
if you can. Ah, poor bereaved hearts! It will be long ere the sweet
rest you once knew will visit your couch. Slumber will bring again the
scenes through which you have just passed, and you will start from it
but to find them all too real. God pity the mourners after the body of
the loved one lies unburied “in an upper chamber.”
Public-domain text, read in full here on John Shaqi.
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