One of the most curious facts of the last quarter of the nineteenth century was the evolution of the "new woman." Women, representing all manner of social pleas, running the gamut of the extremes, sought a hearing upon the platform, in the pulpit, through the press, and in literature. It looked as if the Anglo-Saxon race were on the verge of a great revolution in which the men would, either passively or in strenuous opposition, be ignominiously relegated to the rear in the lines of new progress. The new movement grew out of a sense of social inequality on the part of some women, and this grievance was exploited in all ways and illustrated from all viewpoints. Some of these strenuous advocates for the "rights" of the sex gave themselves over to the question of dress reform, and their diverse views represented the whole range of the question, from the sensible and sane declaration for the abolishment of the tyranny of style to the adoption of male attire. Others discussed the injustice to women from the physiological viewpoint, and affirmed that motherhood was not an honorable office, but a type of feudalism to men and a subservience to their wills that was highly dishonoring to womankind. It looked as though the household gods were to be tumbled out of the home without much ado; but while some of the advocates of reform went to absurd lengths and presented extreme views and sought by all the ingenuity of sophistry to present the status of woman as a most deplorable one, there were others, more moderate in their views and expressions, who felt that there might be a clear gain for women in the affirming of her rights in the matter of conventions which held over from the eighteenth century. Whether in deportment or in dress, in intellectual pursuits or in the province of amusement, women were to exercise their judgment and common sense and live in the light of their own reason and not with reference to the mandates of men.