Women of History: Selected from the Writings of Standard AuthorsVarious
History
Women of History: Selected from the Writings of Standard Authors
Various
Women -- Biography
This unrivalled actress, born in 1755, was, like her brother John
Kemble, led upon the boards at a very early age; so young indeed was
she, that the rustic audience, offended at her infantile appearance,
began to hoot and hiss her off, when her mother Mrs Kemble, herself an
actress, led her to the front of the stage, and made her repeat the
fable of the boys and the frogs, which she did in such a manner as
appeased the critics, and insured a favourable reception for her ever
after. In her eighteenth year, she married Mr Siddons, an actor in her
father's company; and the young couple soon after took an engagement to
act at Cheltenham. "At that time," says Mr Campbell, "the Hon. Miss
Boyle, the daughter of Lord Dungarvon, a most accomplished woman, and
authoress of several pleasing poems, one of which, an "Ode to the
Poppy," was published by Charlotte Smith, happened to be at Cheltenham.
She had come accompanied by her mother and her mother's second husband,
the Earl of Aylesbury. One morning that she and some other fashionables
went to the box-keeper's office, they were told that the tragedy to be
performed that evening was "Venice Preserved." They all laughed
heartily, and promised themselves a treat of the ludicrous in the
misrepresentation of the piece. Some one who overheard their mirth,
kindly reported it to Mrs Siddons. She had the part of _Belvidera_
allotted to her, and prepared for the performance of it with no very
enviable feelings. It may be doubted whether Otway had imagined in
_Belvidera_ a personage more to be pitied than her representative now
thought herself. The rabble in "Venice Preserved" showed compassion for
the heroine; and when they saw her feather-bed put up to auction,
"governed their roaring throats, and grumbled pity." But our actress
anticipated refined scorners more pitiless than the rabble, and the
prospect was certainly calculated to prepare her more for the madness
than the dignity of her part. In spite of much agitation, however, she
got through it. About the middle of the piece, she heard some unusual
and apparently suppressed noises, and therefore concluded that the
fashionables were in the full enjoyment of their anticipated amusement,
tittering and laughing, as she thought, with unmerciful derision.
Public-domain text, read in full here on John Shaqi.
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