Women of Mediæval France: Woman: in all ages and in all countries Vol. 5 (of 10)Butler, Pierce
History
Women of Mediæval France: Woman: in all ages and in all countries Vol. 5 (of 10)
Butler, Pierce
Biography -- Middle Ages, 500-1500; Women -- France -- History -- Middle Ages, 500-1500
The enthusiasm of the clergy in behalf of the Virgin was matched by that
of the people. Nothing was more popular than the hymn to the Virgin,
scarcely distinguishable, in the ardor of some specimens preserved to
us, from the contemporary love songs to women of flesh and blood. Clerks
and laymen composed these songs, vying with each other in the fervor of
the sentiments they expressed, writing in Latin, in French, in mixed
Latin and French, praising the mere physical beauty and grace of her
whom they called _rose des roses et fleur des fleurs_. One can read
these things without shock only when one remembers that there was
nothing but devotion of a purely spiritual kind intended by them, a fact
of which it is sometimes hard to persuade oneself. As an example, and
not an extreme one, it might do to substitute merely the name _Marie_
for that of _Aalis_ in the song used for Langton's sermon.
Besides these songs there were plays representing miracles ascribed to
the Virgin, and legends without end grew up in which she was the
intercessor for poor mortality. She becomes almost identified with the
attribute of Mercy assigned to the Godhead, and some of the souls
alleged to have been saved by her are not always worth the saving,
according to modern standards of morality. A legend, repeated in many
forms, tells us, for example, of a clerk of Chartres (presumably a clerk
in the cathedral), "proud, vain, rude, and so worldly and licentious in
his habits that he could not be restrained." With all his rakish ways,
however, there was one thing that this man of God never omitted to do:
"He would never pass before the image of Our Lady... without kneeling;"
and once on his knees, "his face wet with tears, he saluted her many
times most humbly, and beat his breast." Now the clerk was killed by an
enemy of his, and then the world began to speak ill of him, and, on
account of his notorious bad habits, they buried his body in a ditch
outside Chartres. Thirty days, or nights, afterward, "she from whom
springs all pity, all mildness and sweetness and love, and who never
forgets her servants," appeared in a dream to one of the other clerks
and reproached him bitterly for the dishonor done her servitor, of whose
piety she then told him. The clergy of the city marched out to the grave
of the clerk; and when it was opened they found "a flower in his mouth,
so fresh and full of bloom that it seemed as if it had just blown
there"; while the tongue with which he used to praise the Virgin was
preserved from corruption, "as clear as is a rose in May." The moral of
this story, one would think, would be anything but salutary; it is only
when one recognizes the simple, unsophisticated piety which inspired it,
and reflects upon its teaching of greater gentleness, greater charity in
judging others, that one can admire it.
Public-domain text, read in full here on John Shaqi.
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