Women of Mediæval France: Woman: in all ages and in all countries Vol. 5 (of 10)Butler, Pierce
History
Women of Mediæval France: Woman: in all ages and in all countries Vol. 5 (of 10)
Butler, Pierce
Biography -- Middle Ages, 500-1500; Women -- France -- History -- Middle Ages, 500-1500
But from the more sordid cares, the covering of her poverty under
threadbare finery that did not keep out the cold, and the vulgar
loungers who would ogle her and leer at her as she went about the
courts, there was a refuge in the pursuits which were to earn her bread.
At first Christine sang of her lost husband, and the grace and
earnestness of these poems pleased the fashionable public of the day.
Her style was the result of long and careful preparation, and her mind
almost unconsciously reflected the things which she had read and admired
in classic literature; and thus she transmitted to her readers much
information, not in itself new or original, but strange to them, and
therefore interesting. Some of the great personages of the court still
remembered the little Italian protegée of Charles V., and asked her to
write for them poems of love, in less lugubrious vein. We have seen that
the troubadours thought it almost a truism: "Without love, no poesy,"
for love was their only theme; but here we find a woman who frankly
admits that she has loved and loves no more, and who yet undertakes to
write love poems for a price, and does write some exquisite ones. Poetry
made to order can never seem spontaneous after we know that the poet has
found inspiration not at the shrine of Phoebus but at that of Plutus;
but many of the poetic masterpieces have been composed under stress of
dire poverty, of which we are fortunately not always aware when reading
them. And so, among the six or seven score little _ballades_ and _jeux_
which in Christine's works are marked _à vendre_--for sale--there are
many that we could read with more sincere pleasure if we did not doubt
the genuineness of the sentiment expressed. These little poems, many of
them really graceful and charming playthings of a moment, lose so much
in translation that I shall not attempt to render into English their
ephemeral charm. The French of five hundred years ago is not "Frenshe of
Paris" to most of us: rather is it of the school of "Stratford atte
Bow," or of some other school we have never attended, and therefore I
have chosen to give, with some changes in orthography, one of the
simplest of Christine's _jeux à vendre_. It is a lover's song in praise
of his lady beautiful and good:
"Je vous vens la rose de mai?
Oncques en ma vie n'aimai
Autant dame ne damoiselle
Que je fais vous, gente femelle,
Si me retenez à ami,
Car tout avez le coeur de mi (moi).
..........................................
Je vous vens l'oiselet en gage?
Si vous êtes faulx, c'est dommage,
Car vous êtes et belle et doulx,
Si n'ayez telle tache en vous,
Et digne serez d'être aimée,
Belle et bonne et bien renommée."
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account