Women of Mediæval France: Woman: in all ages and in all countries Vol. 5 (of 10)Butler, Pierce
History
Women of Mediæval France: Woman: in all ages and in all countries Vol. 5 (of 10)
Butler, Pierce
Biography -- Middle Ages, 500-1500; Women -- France -- History -- Middle Ages, 500-1500
life of the south was extinguished. We hear the piteous wail of the fast
disappearing singers: "Oh! Toulouse and Provence, land of Agen, Beziers,
and Carcassonne; as I have seen you, and as I see you now!"
While Provençal literature was thus perishing miserably, that of France
was gradually unfolding; and we find here and there some _grande dame_
named as a patroness of literature. Most of them are but names, yet we
find that the Countess Marie de Champagne, Queen Eleanor's daughter,
encouraged the great _trouvère_ Chrestien de Troies. She made him
introduce into his romances the notions of love and chivalry fostered in
the Courts of Love, and gave him the theme of his romance of _Lancelot_,
or _Le conte de la Charrette_ (about 1170). For Blanche de Navarre was
made a prose translation of saints' lives. A poet named Menessier
completed, about 1220, for the Countess Jeanne de Flandre a poem on
Perceval and his search for the Holy Grail.
One French woman of this period, moreover, won for herself an abiding
place in literature. Of her personality we know nothing, and we are even
ignorant of the dates of her birth and death. Gathering her materials
from Welsh and Breton traditions and popular songs, she wrote a number
of _lays_, as she called them. These lays are short poems, in verse of
eight syllables, recounting some little romantic tale or adventure.
There are about twenty of them, of which fifteen, at least, are ascribed
to Marie. From another of her works we glean the few facts that follow,
substantially all that we know of her:
"At the end of this work, which I have translated and sung in the
Romance tongue (French), I will tell you something of myself. Marie is
my name, and I am of France. It may be that several clerks might take it
upon themselves to claim my work, and I wish none to say it is his: who
forgets himself works to no purpose. For the love of Count William, the
most valiant man in this kingdom, I undertook to write this book and to
translate it from English into Romance. He who wrote this book, or
translated it, called it Ysopet. He translated it from Greek into Latin.
King Henry (some manuscripts say Alfred), who loved it greatly, then
translated it into English, and I have turned it into French verse as
accurately as I could. Now I pray to God Almighty that I may be given
strength to do such work that I may give my soul into His hands, that it
may go straight to Heaven above. Say Amen, all of you, that God may
grant my prayer."
Public-domain text, read in full here on John Shaqi.
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