Women of Modern France (Illustrated): Woman: In all ages and in all countries Vol. 7 (of 10)Thieme, Hugo P. (Hugo Paul)
History
Women of Modern France (Illustrated): Woman: In all ages and in all countries Vol. 7 (of 10)
Thieme, Hugo P. (Hugo Paul)
France -- Social life and customs; Women -- France
After the death of Mme. de Tencin and that of Mme. de Châtelet, who
had received many of the celebrities of the time, there remained but
two distinguished, purely literary and philosophical salons open in
Paris. By right of precedence, the _bêtes_ should have gone over to
the salon of Mme. du Deffand, as she had been established some years
when Mme. Geoffrin began to receive at her residence, which gained
its first renown through the exquisite dinners served there. But the
_bêtes_ all flocked to the _salon bourgeois_, and consequently a more
brilliant gathering never assembled in a salon; here sat, enjoying
the liberal hospitalities, Fontenelle, Montesquieu, Mairan, Marmontel,
Helvétius, Diderot, D'Alembert, Thomas, D'Holbach, Hume, Morellet,
Mlle. de Lespinasse, the Marquis de Duras, Comtesses d'Egmont and de
Brionne. Here, conversation--which, in the eighteenth century, was not
only a discussion or a dissertation, but an art--reached its highest
development; the members did not need to be eloquent, to expatiate
upon some theory or science; the conversation moved about the members,
and they had to be a part of it.
Mme. Geoffrin was born in Paris in 1699, and was the daughter of M.
Rodet, _valet de chambre_ of the dauphiness, Duchesse de Bourgogne,
mother of Louis XV. When barely fifteen she was married to the wealthy
M. Geoffrin, the so-called founder of the celebrated _Manufacture
des Glaces de Gobelins_. Through his wealth and his associations with
people of nobility who bought his ware, she was soon encouraged in
her desire to entertain the nobility; and her _esprit_, tact,
intelligence, and admirable taste in dress were all effective in
bringing about the desired results.
Her career was one of continual successes. When she opened her salon,
in 1741, she instituted the custom of receiving her friends at table,
not only men of letters, but artists, architects, builders, painters,
sculptors, all men of genius and prominence. Monday was the day
reserved for artists exclusively; Marmontel, who lived with Mme.
Geoffrin for ten years "as her tenant," and the indispensable Abbé
Morellet were the exceptions who might be present upon that day. From
the very beginning she formed the habit of permitting conversation
to go just so far, then cutting it off with her famous: _Voil qui est
bien!_
Public-domain text, read in full here on John Shaqi.
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