Women of Modern France (Illustrated): Woman: In all ages and in all countries Vol. 7 (of 10)Thieme, Hugo P. (Hugo Paul)
History
Women of Modern France (Illustrated): Woman: In all ages and in all countries Vol. 7 (of 10)
Thieme, Hugo P. (Hugo Paul)
France -- Social life and customs; Women -- France
In 1747, two years after her installation, she interested the king in
a theatre, and inaugurated the famous representations at the Théâtre
des Petits Appartements; she herself was one of its best actresses,
singers, and musicians. All the members of the nobility vied with one
another in procuring admission to these performances, as auditors or
actors. Her contemporaries say that she was without a rival in acting,
for in that art she found opportunity to show her vivacity, her
_esprit_ of tone, and her malice of expression, the effect of which
was heightened by her voice, graceful figure, and tasteful attire,
which became the envy of every court lady.
[Illustration 4:
_MME. DE POMPADOUR AND A CLERICAL LOBBYIST
After the painting by A. Casanova_
_Her influence and usurpation of power bore heavily upon every
department of state; she appointed all the ministers, made all
nominations, managed the foreign policy and politics, directed the army
and even arranged the plans of battle. She was forced to receive foreign
ambassadors and ministers; she had to meet in the Cabinet de Travail and
give council to the generals who were her protégés; the clergy went to
her and laid before her their plaints, and through her the financiers
arranged their transactions with the state. She was the greatest
patroness of art that France ever possessed, giving to it the best hours
of her leisure; it was her pastime, her consolation, her extravagance,
and her ruin._]
Almost all rising young artists and men of letters were encouraged or
pensioned by Mme. de Pompadour. Her salon would have become one of
the most distinguished of the period, as she was, herself, the most
remarkably talented and beautiful woman of her time, had not lack
of moral principles and an intense love of power led her to seek the
gratification of her ambitions in the much envied position of mistress
of the king. To assist at her toilette became a favor more eagerly
desired than presence at the _petit lever_ of the king. The court
became more brilliant, the middle class rose, the prestige of the
nobility declined; the last became, in general, but a crowd of
_cordons bleus_, eager to claim the favor of any of her protégés.
Every noble house offered a daughter in marriage to her brother, whom
she made _intendant_ of public buildings, and who looked with much
displeasure upon the actions of his sister.
Public-domain text, read in full here on John Shaqi.
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