Women of Modern France (Illustrated): Woman: In all ages and in all countries Vol. 7 (of 10)Thieme, Hugo P. (Hugo Paul)
History
Women of Modern France (Illustrated): Woman: In all ages and in all countries Vol. 7 (of 10)
Thieme, Hugo P. (Hugo Paul)
France -- Social life and customs; Women -- France
In her later years her physical beauty gradually developed into a
moral beauty. She was never a passionate woman, but rather passively
affectionate; purely unselfish, her one desire always was to make
people love her and to be happy. Her friendship with Chateaubriand in
the later days was possibly the most ideal and noble in the history of
French women. He never failed to make his appearance in the afternoon
at the _abbaye_, driven in a carriage to her threshold, where he was
placed in an armchair and wheeled to a corner by her fireplace. On one
of those visits, he asked her to marry him--he being seventy-nine, she
seventy-one--and bear his illustrious name. "Why should we marry at
our age?" Mme. Récamier replied. "There is no impropriety in my taking
care of you. If solitude is painful to you, I am ready to live in the
same house with you. The world will do justice to the purity of our
friendship. Years and blindness give me this right. Let us change
nothing in so perfect an affection." Her charm never deserted her, and
she continued to the very last to receive the greatest men and women
of the day. Still the reigning beauty and the queen of French society,
she died at the age of seventy-two, of cholera.
There is a wide difference between Mme. Récamier and Josephine, the
two women of the Napoleonic era who exerted so powerful an influence
upon the social and political fortunes of France. At the time of
Napoleon's first success, the former was only twenty-one, with
Madonna-like charms and attractiveness; the latter, thirty-five, but
with exquisite taste in dress and skill in beautifying. Possessed of
unstudied natural grace and elegance, and always attired in perfect
harmony with her beauty of face and form, she could easily stand a
comparison with the other beauties of the day, all of whom studied her
air and manner and marked the aristocratic ease and poise of her real
_noblesse_ of the old régime.
[Illustration 6:
_MME. RECAMIER'S SALON
After the painting by Adrien Moreau._
_Thus, in Lamartine we find: "The young girl was, they say, a_
sous-entendu _of nature: she could be a wife, she could not be a mother."
These are the two mysteries we must respect, but which we must know to
have been the secret of the entire life of Mme. Recamier. Knowing how to
maintain, in her salon, harmony between men of the most varied
temperaments and political ideas, it was possible for her to remain all
her life an intelligent and warm-hearted bond. She admitted men and
women of both parties to her salon.... was moderate and just in the
midst of the most arduous struggles, tolerant toward her adversaries,
generous toward the conquered, sympathetic to all, and remarkably
successful in conciliating all political, literary, and philosophical
opinions as well as the passions which she aroused in her worshippers._]
Public-domain text, read in full here on John Shaqi.
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