Women of Modern France (Illustrated): Woman: In all ages and in all countries Vol. 7 (of 10)Thieme, Hugo P. (Hugo Paul)
History
Women of Modern France (Illustrated): Woman: In all ages and in all countries Vol. 7 (of 10)
Thieme, Hugo P. (Hugo Paul)
France -- Social life and customs; Women -- France
"In whatever way matters turn, I conjure you, madame, to regard me
as a person incapable of directing affairs, who heard them talked too
late to be skilful in them, and who hates them more than she ignores
them.... My interference in them is not desired and I do not desire
to interfere. They are not concealed from me, but I know nothing
consecutively and am often badly informed."
The opinions of her contemporaries are not always flattering, but
such are possibly due to envy and jealousy or to some purely personal
prejudice. Thus, when the Duchess of Orléans, the Princesse
Palatine, calls her "that nasty old thing, that wicked devil, that
shrivelled-up, filthy old Maintenon, that concubine of the king," and
casts upon her other gross aspersions that are unfit to be repeated,
one must remember that the calumniator was a German, the daughter of
the Elector Palatine Charles-Louis, a woman honest in her morals, but
shameless in her speech, who loved the beauties of nature more than
those of the palaces; more shocked at hypocrites than at religion or
irreligion, she took Mme. de Maintenon to be a type of the impostors
whom she detested. It was her son who became regent, and it was her
son who married one of the illegitimate daughters of Louis XIV.--an
alliance of which his mother had a horror.
The memoirs of Saint-Simon are interesting, but the odious picture
he has drawn of Mme. de Maintenon is hardly in accord with later
appreciations. M. Saint-Amand sums up the two classes of critics thus:
"The revolutionary school which likes to drag the memory of the great
king through the mire, naturally detests the eminent woman who was
that king's companion, his friend and consoler. Writers of this
school would like to make of her a type not only odious and fatal, but
ungraceful and unsympathetic, without radiance, charm or any sort of
fascination. She is too frequently called to mind under the aspect
of a worn old woman, stiff and severe, with tearless eyes and a
face without a smile. We forget that in her youth she was one of
the prettiest women of her time, that her beauty was wonderfully
preserved, and that in her old age she retained that superiority of
style and language, that distinction of manner and exquisite tact,
that gentle firmness of character, that charm and elevation of mind,
which, at every period of her life, gained her so much praise and so
many friends."
Public-domain text, read in full here on John Shaqi.
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