To the infuriated king this frightful menace, like the crimes of which
he is accused, seems to be the mere raving of madness; and he deigns no
answer. The old man is led away; Œdipus enters the palace; and in the
pause that follows the Chorus muse over the scene. They are bewildered
and torn by doubt. They may not disbelieve the seer, but they cannot and
will not believe that their beloved king has been guilty of deeds so
vile. As they sing, Creon rushes on indignant; and he is followed a
moment afterward by Œdipus. Here at last is an opportunity to strike out
against the deadly thing which seems closing in around him. Creon is no
old and blind opponent, before whose weakness his hands are tied; but a
man of equal strength and rank whom, in his rashness, he believes to be
his bitter enemy. Without a word of prelude or explanation, Œdipus
flings down the gauntlet; and declares Creon, his comrade and the
brother of his wife, to be a traitor. The charge is false and foolish,
to every mind but that of the overwrought king. But reason cannot sway
him now; Creon’s protests are futile, and his proofs of innocence mere
words bereft of meaning. This knave who has plotted against him must
die, and quickly, before his schemes can take effect. In vain Creon
pleads for justice: in vain the leader of the Chorus tries to stem the
king’s anger, With a rallying cry to his guards, Œdipus draws his sword
upon Creon. But as he springs to the blow there suddenly appears in the
doorway of the palace, Jocasta the queen. An immediate silence falls:
weapons are lowered; and the queen advances slowly to the top of the
palace steps. The Chorus move back, leaving Œdipus and Creon standing
alone before her. She looks reproachfully into one shamed face after
another and then, with gentle dignity, she speaks:
“_Vain men, what would ye with this angry swell
Of words heart-blinded? Is there in your eyes
No pity, thus, when all our city lies
Bleeding, to ply your privy hates?... Alack,
My lord, come in! Thou, Creon, get thee back
To thine own house. And stir not to such stress
Of peril griefs that are but nothingness._“[22]
Public-domain text, read in full here on John Shaqi.
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