The Chorus break into an exquisite lyric on the power of love; and a few
moments afterward Antigone herself crosses the scene, on her way to the
place of death. She is to be buried alive, in a rocky tomb in the hills;
and this last horror, with the inevitable reaction that has followed on
her splendid daring, have wrought a pathetic change in her. All her
audacity has gone: the passion of righteous anger has faded out: even
her perception is blunted. The vision of a higher law, and the superb
confidence that the gods approve her action, have grown dull and faint
before this dreadful thing which is coming to her. Her voice falters:
her footsteps lag: and on her lips are pitiful words of regret for all
the fair things that she is leaving. The old senators are moved, but are
sadly inept in their efforts at consolation. Remembering Antigone as she
had faced them in her magnificent heroism, they think to comfort her
with the thought that there is glory in her death. But Antigone is not
heroic now. She is a lonely human soul, confronting the last grim
reality; and the well-turned phrases of these comfortable old men are
revolting to her. What glory can really compensate for the monstrous
injustice that she suffers; for the loss of youth, and lover, and
friends; and for the hideous darkness that will quench the light of the
sun for her?
“_O mockery of my woe!
I pray you by our fathers’ holy Fear,
Why must I hear
Your insults, while in life on earth I stand,
O ye that flow
In wealth, rich burghers of my bounteous land?...
By what enormity of lawless doom,
Without one friendly sigh,
I go to the strong mound of yon strange tomb—
All hapless, having neither part nor room
With those who live or those who die._“[24]
Even faith seems swept away for a moment in this access of physical
weakness. But a gleam comes back, flickering through the clouds of doubt
upon that shadowy region of the Underworld:
“_Dear will my coming be, father, to thee,
And dear to thee, my mother, and to thee,
Brother! since with these very hands I decked
And bathed you after death, and ministered
The last libations._“[24]
Then the clouds gather again, and she cannot see anything clearly. Why
is she suffering so? Is it possible that she is guilty, that her deed
was wrong? In the strange confusion of her soul, truth itself seems to
reel, and the form of piety grows blurred. What if, after all, the gods
do _NOT_ approve, and it is she who has sinned?
But from this most ghastly fear Creon himself unwittingly delivers her.
He breaks suddenly into her mourning with a harsh order; and instantly
her mind grows clear.
Public-domain text, read in full here on John Shaqi.
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