beats impotently against injustice, loses hold on sanity and sweet human
ties, and is transformed into an avenging fury.
The story of Medea belongs to the old Argo legend, which was made into
poetry by Apollonius Rhodius in the first century before Christ, and by
our own Victorian poet Morris in _The Life and Death of Jason_.
Jason, the exiled heir to the throne of Iolchos, was reared by the
centaur Chiron. Arrived at manhood, he determined to claim his right
from his usurping uncle Pelias; and travelling to Iolchos on foot, he
presented himself before the king minus a sandal. Now Pelias had been
warned against a man who should come to him with one foot bare; and,
moreover, he had no intention of yielding up the throne to his nephew.
He therefore cast about for some means of ridding himself of Jason, and
hit upon the plan of sending him on a wild and dangerous quest—to seek
and bring the Golden Fleece from the barbarous land of Colchis. Jason
gladly undertook the task: gathered the Greek heroes together and sailed
with them in the good ship _Argo_.
After a perilous voyage, the heroes arrived at Colchis, and Jason made
known their quest to the king Aeêtes. But they soon found that they had
no hope of success. Aeêtes was false to them, made impossible
conditions, and plotted against their life. Disaster seemed imminent,
when there came a deliverance so glorious that it seemed like the
interposition of a god. It was the quick wit of a girl, prompted by
love. Medea, the young daughter of Aeêtes, had seen and loved the brave
Greek prince whom her father now plotted to destroy. She was an ardent
and impulsive creature; and she determined to save Jason. By the magic
lore that she possessed, she secretly enabled him to overcome the
fire-breathing oxen, and the earth-sown army that her father sent
against him. Then, realizing too late that she had incurred the
unpitying rage of her father, she fled at night from the palace, to take
refuge with the Greek heroes.
_She kissed her bed, and her hands on the walls with loving caress
Lingered; she kissed the posts of the doors; and one long tress
She severed, and left it her bower within, for her mother to be
A memorial of maidenhood’s days, and with passionate voice moaned
she._[30]
Public-domain text, read in full here on John Shaqi.
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