To this court there came, for the first time, in the year 1565, young Torquato Tasso, poet and courtier, scholar and gentleman, and already the author of a published narrative poem, the _Rinaldo_, which caused him to be hailed as the most promising poet of his generation when he was but in his eighteenth year. Bernardo Tasso, the poet's father, was likewise a poet and a professional courtier of some distinction, and varying fortunes had taken him to Urbino, where the son Torquato grew up, surrounded by all the evidences of refinement and culture. He had been favored by nature with a tall and commanding figure, and his good looks had already caused more than one gentle heart to flutter, when, at the age of twenty-one, with his father's consent and approval, he entered the service of the Cardinal Luigi d'Este, and became at once a conspicuous figure in court circles. Almost instantly the youth, filled as he was with most romantic ideas and readily susceptible to the power of woman's beauty, fell a captive to the charms of the Princess Leonora d'Este, who, though some ten years his senior, seemed to embody all the graces and to completely satisfy the ideal which up to this time he had been able to see only with his mind's eye. Leonora had already been sought in marriage by many titled suitors, but she had invariably turned a deaf ear to such proposals, never finding one who could please her fancy or who promised comfort in her loneliness. For she was lonely in that court, as she seems to have dwelt in a sort of spiritual isolation most of the time; there was always a melancholy air about her, which had no doubt been induced in large measure by her mother's sad fate. For Tasso to love her was most natural; but they both knew that such a love could be but hopeless, and it cannot be said that she encouraged him in any covert manner or that he made open profession of his passion. It is true that he makes her the subject of many of his poems, wherein he lauds her to the skies, but this is no more than was expected of a court poet; he did the same for other ladies, but in all that was dedicated to her charms there seems to shine forth a truer light of real affection than is found in all the others. What words of affection, if any, passed between them can never be known; but it seems that there must have been some sort of tacit consent to his silent adoration, and Tasso tells in a madrigal, perhaps in proof of this, that once, when he had asked her pardon for having put his arm upon her own in the eagerness of conversation, she replied, with gentleness: "You offended, not by putting your arm there, but by taking it away!"