that Philip had been poisoned, and she feared that the same fate might be reserved for her. In any event, Juana was treated with little or no consideration at this unhappy moment; the Cardinal Ximenes, who had been made grand inquisitor, assumed control of the state until Fernando might be summoned from Naples, whither he had gone; and, all in all, the rightful heir to the throne was utterly despised and disregarded. She was allowed to follow her husband's body to its last resting place, and then, after a brief delay, she went to live at Arcos, where she was well watched and guarded by her jealous father, who feared that some disaffected nobles might seek her out and gain her aid in organizing a revolt against his own government. While in this seclusion, Juana was sought in marriage by several suitors, and among them Henry VII. of England; but all these negotiations came to naught, and in the end she was sent to the fortress of Tordesillas, where she was kept in close confinement until the time of her death. There is no trustworthy evidence to show that Juana was mad before the death of her husband, and all her eccentricities of manner could well have been accounted for by her wayward, jealous, and hysterical character, but after her domestic tragedy there is little doubt but that her mind was to some degree unsettled. Naturally nervous, and feeling herself in the absolute power of persons who were hostile to her interests, she became most excitable and suspicious, and may well have lost her reason before her last hour came. The story of her confinement in the old fortress at Tordesillas is enough in itself to show that stronger minds than hers might have given way under that strain. This palace-prison overlooked the river Douro, and was composed of a great hall, which extended across the front of the building, and a number of small, dark, and poorly ventilated rooms at the back. In addition to the jailer, who was responsible for the prisoner, the place was filled with a number of women, whose duty it was to keep a close watch upon Juana and prevent her from making any attempt to escape. The use of the great hall with its view across the river was practically denied to her, she was never allowed to look out of the window under any circumstances, for fear she might appeal to some passer-by for aid, and, in general, unless she was under especial surveillance, she was confined, day in and day out, in a little back room, a veritable cell, which was without windows, and where her only light came from the rude candles common to that age. Priests were frequent visitors, but, to the end, Juana would have nothing to do with them, and it is even said that on more than one occasion she had to be dragged to the prison chapel when she was ordered to hear mass. No man can tell whether this unhappy woman would have developed a strong, self-reliant character if the course of her life had been other than it was, but, accepting the facts as they stand, there is