At first they held back, saying that they could not kill a man in his slumber; but Beatrice would not allow them to abandon the task, so great was her power over them. [Illustration 4: _BEATRICE CENCI After the painting by L. Valles The larger share of responsibility was put upon Beatrice; but she, it appeared, had been the one most sinned against, and certain unmentionable villainies in her father's conduct, which were darkly hinted at, aroused the pity of the Holy Father to such an extent that he gave them all comparative liberty, with the hope of ultimate acquittal. At this juncture of affairs, a certain nobleman, Paolo Santa Croce, killed his mother as the result of a family quarrel; and the pope, newly angered against the Cenci family because he considered it to have set the example for this parricidal mania, ordered them all to be executed according to the terms of the original judgment, with the exception of the youngest son, Bernardo, who was given a free pardon. The sentence was executed on the following day, Saturday, May 11, 1599, on the bridge of Saint Angela._] Beatrice has shown all along a surprising firmness of character, and a more detailed description of her appearance cannot fail to be of interest. Leigh Hunt gives the following pen portrait, which he ascribes to some Roman manuscript: "Beatrice was of a make rather large than small. Her complexion was fair. She had two dimples in her cheeks, which added to the beauty of her countenance, especially when she smiled, and gave it a grace that enchanted all who saw her. Her hair was like threads of gold; and because it was very long, she used to fasten it up; but when she let it flow freely, the wavy splendor of it was astonishing. She had pleasing blue eyes, of a sprightliness mixed with dignity, and, in addition to all these graces, her conversation had a spirit in it and a sparkling polish which made every one in love with her."