In 1760 the city was bombarded. A shell crashed through the roof of the
room where old Madame Neuber lay ill. Dr. Loeber carried her for safety
to a suburban village. But the owner of the house to which she was
taken, when he found out who she was, refused to let an actress die
under his roof; so she was moved again, this time to a room in a cottage
nearby. From her bed she could see the vine-covered slopes of Pillnitz.
Dying, she folded her withered hands, and murmured: "I will lift up mine
eyes to the hills, from whence cometh my help."
Her final exit from the troubled stage of earth was accomplished with
difficulty. The village pastor, determined that no actress should be
buried in the consecrated ground over which he held sway, locked the
churchyard gates and refused to yield up the key. Madame Neuber's coffin
was therefore hoisted over the wall and lowered into the grave by two or
three old friends. No prayer was spoken; no hymn was sung. But Caroline
Neuber's influence for good lives. She performed two great services: she
purified the German drama, and she introduced Lessing to the world.
In every time and clime, belles have danced and flirted and laughed and
chatted and been happy. Madame Johanna Schopenhauer, the famous mother
of her more famous philosopher son, Arthur, has left a pleasing
description of fashion's whimseys in the eighteenth century:
"We had no thin ball dresses, for the simple reason that thin varieties
of woven material had not then been invented. And yet we danced in our
cumbrous company gowns made of heavy silk we were passionately fond of
dancing. We were courted, admired, nay, even as much admired as our
granddaughters are now in their cloudlike, treacherously diaphanous
garments. How it happened, in our hideous disguises, I cannot, at this
distance of time, pretend to explain. How well I remember my first ball!
"At least an ell was added to my stature by a monstrous tower of hair
which was built up on a wire and horsehair frame, and which was crowned
with flowers, feathers, and ribbons. The high heels of my white ball
slippers, which were adorned with golden ties, contributed to
counterbalance the disproportion in my little person at the other
extremity. Though my shoes fell far short of the preposterous height of
my hair, they raised my heels so far from the ground as to pitch me on
the tips of my toes. A pair of stays with whalebones close together, of
a thickness sufficient to turn a musket ball, forced back the arms and
shoulders and threw the chest forward. Down toward the hips the corset
was laced so tightly as to make one's figure resemble that of a wasp.
These stays restricted all freedom of motion. They had only one sensible
thing about them, and that was a rather stout iron which kept them from
pressing on the breast.
Public-domain text, read in full here on John Shaqi.
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