The same progress is visible everywhere in the other Teutonic countries,
Denmark, Sweden, Norway. Excellent abstracts of that progress are given
by Kirstine Frederiksen, Maria Cederschioeld, and Gina Krog,
respectively, and in Helene Lange and Gertrude Baumer's admirable
_Handbook of the Woman's Movement_ (two volumes, Berlin, 1901). We must,
however, regretfully forego the pleasure of enumerating even the
foremost of the thousands of women with their varied talents, many of
the highest order, who belong to the knighthood of the spirit, and who
labor bravely in the realm of advancement of the human race in general,
and of the Teutonic family in particular.
This chapter would, however, be incomplete and unsatisfactory were we to
conclude it without mentioning a few German women who, preeminent and
royal, have wielded an immense influence, and in whom, as it were, are
crystallized German virtues, German qualities, and German intellect.
The first German empress, Augusta, the daughter of Carl Frederick of
Saxe-Weimar and of a Russian princess, was reared in the atmosphere of
the Court of the Muses at Weimar; so that the image of Goethe hovered
around her throughout her life, and influenced her artistic, literary,
and humanistic tastes. At the age of eighteen, in 1829, she was married
to Prince William of Prussia, little dreaming at that time of the great
future in store for Germany and for herself. By her intellectual
qualities, her humanity, and her charity, she soon acquired a highly
privileged position at the Prussian court. It was she who inculcated
into the soul of her only son, later Emperor Frederick III., those
qualities which secured for him the historic title "Frederick the
Noble." After her consort ascended the throne in 1861, and especially
after the great wars, she became the soul of the great charitable
movements of Germany. She took an active part in bringing about the
establishment of the Geneva Convention, a most beneficial event in its
effects upon the humanization of war and its consequences. She was an
angel of mercy to the wounded soldiers of both friend and foe, and to
their widows and orphans, and was active in the Society of the Red
Cross, founded in 1864, and the Patriotic League of Women, founded after
the Austrian war in 1866. The Augusta Hospital, the Langenbeck House in
Berlin, named after the great surgeon of that name, and the Augusta
Foundation in Charlottenburg, were created by her. She was deeply
religious and broadly tolerant; so that the so-called Kulturkampf, _i.
e._, the struggle between the Prussian state and the Roman Catholic
Church, was profoundly distasteful to her, a fact which precipitated a
silent, but bitter, feud between the empress and her party, on the one
hand, and Prince Bismarck, on the other. While her political influence
cannot at all times be considered to have been beneficent, her
cultivation of the arts certainly enriched the national life of Berlin,
and indeed of Germany.
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