Women Workers in Seven Professions: A Survey of Their Economic Conditions and Prospects
General
Women Workers in Seven Professions: A Survey of Their Economic Conditions and Prospects
Vocational guidance; Women -- Employment -- Great Britain
The Christmas pantomime and the summer season cut down the actor's
year to forty weeks. From information which I was able to obtain from
the Actor's Association, the average yearly income of an actor is £70.
From this, £37 may be deducted for travelling and other expenses. For
though the actual railway fare is usually paid, no allowance is made
for conveyance of luggage from station to lodgings, and the constant
change of quarters naturally makes the weekly expenditure on a higher
scale. On these figures the average weekly earnings of an actor would
be 12s. 6d., or 1s. 9d. per day.
This is the average income of an actor when working, but under present
conditions, the average day for an average actress is one in which she
looks for work. So let us take the average day of the average actress,
and see how she spends it.
After leaving her tiny, grubby back room in Bloomsbury (time and fares
prohibit a bigger, better room in the suburbs), where she has cleaned
her own shoes, ironed her blouse and sewn in frilling before starting,
she walks down to an agent. The waiting-room there has a couple
of forms, which are already filled, and groups of girls have been
standing for some time. They have all had insufficient breakfasts,
badly served and ill-cooked; they all wear cheap and uncomfortable
shoes, too thin for wet pavements; they are all obliged to put on a
desperately photographic pose and expression, in case the agent's eyes
light on them. One or two, better dressed and more self-possessed,
secure interviews and pass out by another door. No information about
the part is to be procured, they are all there "on the chance." At
half past one the agent comes out for lunch, saying, as he passes
through the room, "No use waiting, ladies; no one else wanted to-day."
Our average friend has stayed for three hours, knowing no one to speak
to, and leaves no nearer her goal for her morning's congenial work.
She lunches on sandwiches and tea, re-arranges her hat and veil, and
starts out with fresh hope to use her one letter of introduction to
the manager of a West End theatre.
Public-domain text, read in full here on John Shaqi.
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