Women Workers in Seven Professions: A Survey of Their Economic Conditions and Prospects
General
Women Workers in Seven Professions: A Survey of Their Economic Conditions and Prospects
Vocational guidance; Women -- Employment -- Great Britain
Having achieved a certain amount of experience on tour and in London,
and being more or less proficient in her profession, does not,
however, ensure an increase in the actor's value. A domestic servant
receives a character, which is, if satisfactory, a sure means of
employment; a teacher, inspector, etc., has a certificate which is a
pronouncement of efficiency; but however great the achievement of
the theatre there is no lasting sign of your work, and the want of
definite aim is mentally demoralising. I have heard men say, and I
think not unjustly, that as many of these women are practically "on
the rocks," they will do anything for money; and this brings one to
a question which looms largely when considering unskilled trades. The
unskilled, pleasure-loving, short-sighted but ambitious girl, is apt
to lose her sense of values, and to be an easy and sometimes very
willing victim. If she be attractive, the eye of a powerful person may
alight upon her, and several shades of temptations are placed before
her. Not only money, and the advantages which an outward show of
prosperity may bring with it; not only amusements and luxuries; but a
much more dangerous and difficult temptation, which is not possible
in other trades, is placed before the worker--the offer of greater
opportunities in her work, the opportunities which an "understudy" may
bring in its train; the opportunity of a small part; the gratification
of ambition. There is no more immorality than in other trades, but
there is an amount of humiliating and degrading philandering, a
mauling sensuality which is more degrading than any violent abduction.
To be immoral a certain amount of courage is required; but the curse
of modern theatrical conditions is this corrupt debauchery. Many girls
have come to me explaining their difficulties, and many in asking my
advice ended up with the persistent cry of the modern woman, "I do so
want to get on!" This is a transitional stage in the world, as well as
in the theatre. When women are more intelligent and independent, there
will not be the same amount of selling themselves for the necessities
of existence. They will be able to secure the necessities, and a large
number of the luxuries, for themselves--one of the reasons, doubtless,
why the reactionaries cry out so loudly against the woman's movement.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account