Wonderland; or, Alaska and the inland passage: With a description of the country traversed by the Northern Pacific RailroadHyde, John
History
Wonderland; or, Alaska and the inland passage: With a description of the country traversed by the Northern Pacific Railroad
Hyde, John
Alaska -- Description and travel; Northern Pacific Railroad Company; Northwest, Pacific -- Description and travel
"The next day we went to the site of the old Stickeen town. It was a
beautiful situation, looking out upon the sea, sheltered and with sunny
exposure. In the bay were several islands. One of them was kept sacred
as a burial place. The tombs were visible at a distance. These were
strong boxes raised above the ground for protection, built in the shape
of houses, sometimes painted, and within which the remains are
deposited. We could not but admire the rude taste, as well as the
sentiments which were thus conveyed. The buildings were falling into
decay; but enough remained to impress us with the fact that their
mechanical skill was of no recent origin. The Stickeens have occupied
the site for generations past; and here were immense wooden houses that
might have been standing a century ago, judging from the condition of
the wooden buildings which I had examined on the Atlantic coast, and
which are known to have been erected before the Revolutionary War. Those
buildings were frail; these, built of massive timbers and posts of from
two to three feet in diameter, some round, and others squared. The
planks for the floors were several inches thick. The mortise and tenon
work in the frames joined with accuracy, and other mechanical
contrivances appeared in these structures. All were large, and some
immense. I measured one house sixty by eighty feet.
[Illustration: T'LINKET BASKET WORK.
(Made by the Indians of the Inland Passage.)]
"The domestic life is patriarchal, several families being gathered under
one roof. Genealogies were kept for ages, and honors and distinctions
made hereditary. To mark these, insignia, like a coat-of-arms, were
adopted, and in rude carvings they strove to represent them. I could
decipher, also, the paintings that once figured these upon the posts and
sides of houses. The eagle, the whale, the bear and the otter, and other
animals of sea and land, were the favorites, ofttimes coupled with a
warrior in the attitude of triumph. Gigantic representations of these
family emblems were erected near the house, on posts, twenty to thirty
feet high, covered with carvings of animals, and the devices stained
with permanent pigments of black, red and blue. [See illustration on
page 66, which is the front of a chief's house at Kaigan village.]
Imaginary creatures resembling griffins or dragons, and reminding you of
the mammoth animals that flourished in a distant geological period, were
carved on the posts or pictured on the walls. Raised figures resembling
hieroglyphics and Asiatic alphabets were carved on the inside wall. Some
of the posts containing the family coat-of-arms, thus highly carved and
decorated according to the native taste, were used as receptacles for
the remains of the dead, gathered up after cremation. Great sacredness
was attached to them. To injure one was to insult the family to which it
belonged; to cut one down was an unpardonable offense.
Public-domain text, read in full here on John Shaqi.
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