Lacrima shook her head, but she looked grateful and not displeased. As
a matter of fact she was particularly anxious to introduce the American
to Mr. Quincunx. In that vague subtle way which is a peculiarity,
not only of the Pariah-type, but of human nature in general, she was
anxious that Dangelis should be given at least a passing glimpse of
another view of the Romer family from that which he seemed to have
imbibed.
It was not that she was definitely plotting against her cousin or
trying to undermine her position with her artist-friend, but she felt a
natural human desire that this sympathetic and good-tempered man should
be put, to some extent at least, upon his guard.
She was, at any rate, not at all unwilling to initiate him into the
mysteries of Mr. Quincunx’ mind, hoping, perhaps, in an obscure sort
of way, that such an initiation would throw her own position, in this
strange household, into a light more evocative of considerate interest.
She had been so often made conscious of late that in his absorption
in Gladys he had swept her brusquely aside as a dull and tiresome
spoil-sport, that it was not without a certain feminine eagerness that
she embraced the thought of his being compelled to listen to what she
well knew Mr. Quincunx would have to say upon the matter.
It was also an agreeable thought that in doing justice to the
originality and depth of the recluse’s intelligence, the American
would be driven to recognize the essentially unintellectual tone of
conversation at Nevilton House.
She instinctively felt sure that the same generous and comprehensive
sympathy that led him to condone the vulgar lapses of these “new
people,” would lead him to embrace with more than toleration the
eccentricities and aberration of the forlorn relative of the Lords of
Glastonbury.
With these thoughts passing rapidly through her brain, Lacrima found
herself, after a little further hesitation, agreeing demurely to the
American’s proposal to visit the tenant of Dead Man’s Lane before
the end of the day. She left it uncertain at what precise hour they
should go--probably between tea and dinner--because she was anxious,
for her own sake, dreading her cousin’s anger, to make the adventure
synchronize, if possible, with the latter’s assignation with Luke,
trusting that the good turn she thus did her, by removing her artistic
admirer at a critical juncture, would propitiate the fair-haired
tyrant’s wrath.
This matter having been satisfactorily settled, the Italian began
to feel, as she observed the artist’s bold and challenging glance
embracing her from head to foot, while he continued to this new and
more attentive listener his interrupted monologue, that species of shy
and nervous restraint which invariably embarrassed her when left alone
in his society.
Public-domain text, read in full here on John Shaqi.
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