Mechanically she noticed the peculiar way in which his eyebrows met
one another across a scar on his forehead. This scar and the little
grey bristles that crossed it remained in her mind long afterwards,
indelibly associated with the thoughts that then passed through her
brain. Chief among these thoughts was a deep-lurking, heart-clutching
dread of her own conscience, and a terrible shapeless fear that this
subterranean conscience might debar her from the _right_ to make her
appeal to Vennie. From Mr. Romer’s persecution she could appeal; but
how could she appeal against his benevolence to her friend, even though
the path of that benevolence lay over her own body?
She rose from her seat, too troubled and confused even to hate the man
who thus played the part of an ironic Providence.
“Let me go,” she said, waving aside once more the bright-coloured box
of chocolates which he had the diabolical effrontery to offer her
again. “Let me go. I want to be alone. I want to think.”
He opened the door for her, and she passed out. Once out of his
presence she rushed madly upstairs to her own room, flung herself on
the bed, and remained, for what seemed to her like centuries of horror,
without movement and without tears, staring up at the ceiling.
The luncheon bell sounded, but she did not heed it. From the open
window floated in the smell of the white cluster-roses, scented like
old wine, which encircled the terrace pillars. Blending with this
fragrance came the interminable voice of the wood-pigeons, and every
now and then a sharp wild cry, from the peacocks on the east lawn.
Two--three hours passed thus, and still she did not move. A certain
queer-shaped crack above the door occupied her superficial attention,
very much in the same way as the scar on Mr. Romer’s forehead. Any very
precise formulation of her thoughts during this long period would be
difficult to state.
Her mind had fallen into that confused and feverish bewilderment
that comes to us in hours between sleeping and waking. The clearest
image that shaped itself to her consciousness during these hours was
the image of herself as dead, and, by means of her death, of Maurice
Quincunx being freed from his hated office-work, and enabled to live
according to his pleasure. She saw him walking to and fro among
rows of evening primroses--his favourite flowers--and in place of a
cabbage-leaf--so fantastic were her dreams--she saw his heavy head
ornamented with a broad, new Panama-hat, purchased with the price of
her death.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account