The walnut-trees had still something left of their spring freshness,
while in the hedges along the roads, covered, all of them, with a soft
coating of thin white dust, the wild-roses and the feathery grasses
suggested the heart of the year’s prime.
It was about eight o’clock, in the evening of a day towards the end of
the second week in this unusual month, that Mr. Hugh Clavering emerged
from the entrance of the Old Vicarage with a concentrated and brooding
expression. His heart was indeed rent and torn within him by opposite
and contrary emotions. With one portion of his sensitive nature he
was craving desperately for the next day’s interview with Gladys;
with the other portion he was making firm and drastic resolutions to
avoid it and escape from it. She was due to come to his house in the
afternoon--less than twenty-four hours’ time from this actual moment!
But the more rigorous half of his being had formed the austere plan of
sending her a note in the morning begging her to appear, along with
the other candidates, at a later hour. He had written the note and it
still remained, propped up against the little Arundel print of the
Transfiguration, on the mantelpiece of his room.
He went up the street with bowed, absorbed head, hardly noticing
the salutations of the easy loiterers gathered outside the door of
the Goat and Boy,--the one of Nevilton’s two taverns which just at
present attracted the most custom. Passing between the tavern and
the churchyard wall, he pushed open the gate leading into the priory
farm-yard, and striding hurriedly through it began the ascent of the
grassy slope at the base of Nevilton Mount.
The wind had sunk with the sinking of the sun, and an immense quietness
lay like a catafalque of sacred interposition on the fields and roofs
and orchards of the valley. A delicious smell of new-mown grass blent
itself with the heavy perfume of the great white blossoms of the elder
bushes--held out, like so many consecrated chalices to catch the last
drops of soft-lingering light, before it faded away.
Public-domain text, read in full here on John Shaqi.
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