Wood Carvings in English Churches: I. Stalls and Tabernacle Work. II. Bishop's Thrones and Chancel Chairs.Bond, Francis
History
Wood Carvings in English Churches: I. Stalls and Tabernacle Work. II. Bishop's Thrones and Chancel Chairs.
Bond, Francis
Choir stalls; Church decoration and ornament; Wood-carving
[Illustration: Bishop's Cannings]
{119}
A magnificent and well-preserved seat is to be seen in St Mary's Hall,
Coventry, and is assigned to the middle of the fifteenth century: it is of
oak. From the mortices at one end and the discontinuance of the lower
pattern it would seem to have been attached to a set of stalls, and to have
belonged therefore originally to some church or chapel (117).[69]
[Illustration: Jarrow] [Illustration: Beeston Regis]
In Bishop's Cannings church, Wiltshire, is a remarkable seat believed to be
a "carrel," or desk and seat, such as used to be employed by monks when at
study in their cloister; it may have been brought from some monastic house.
"It consists of an upright panel, with some fifteenth century moldings at
the {120} top and sides; against this panel is constructed a seat, facing
sideways, with a flooring, a back the ordinary height of a pew, a door
facing the panel, and a sloping desk facing the seat." With this
description may be compared that of the monastic carrels given in the
_Rites of Durham_;
"In the north side of the cloister from the Corner over against the
Church Door to the corner over against the Dorter door was all finely
glazed from the height to the sole within a little of the ground into
the cloister garth, and in every window three pews or carrels where
every one of the old monks had his Carrel, several by himself, that
when they had dined they did resort to that place of cloister, and
there studied upon their books, every one in his carrel, all the
afternoon unto evensong time; this was their exercise every day. All
their pews or Carrels was all finely wainscotted and very close, all
but the forepart, which had carved work that gave light in at the
carrel doors of wain scot. And in every Carrel was a desk to lie their
books on; and the Carrels was no greater than from one stanchion of the
window to another."
[Illustration: Lutterworth]
On the inner side of the large panel are a variety of brief admonitory
sentences, painted in Latin black letter on the thumb and four fingers of a
rudely outlined hand, inscribed at the cuff _Manus meditationis_; beginning
on the thumb with _Nescis quantum, Nescis quoties, Deum offendisit_. Below
the hand with its pious sentences on the respective points of each finger,
two cocks are painted, the one white and the other black; from their beaks
proceed two labels, bearing further ejaculations (118).[70] {121}
[Illustration: Westminster Abbey]
{122}
[Illustration: Winchester Cathedral]
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account