Farsight 88
Quicksight 50
Hearing 50
Feeling 84
Quickness 80
Guessing Length 82
Aim 64
Your aliveness number is 498
But very few can score so high. If you can score 400 you are surely
alive; you can see like a hawk, you can take in at a glance, you can
hear like an owl, you can feel like a blind man, you are quick as a cat,
you are a good judge of size, and you can aim true; That is, you are as
_alive as an Indian_.
TALE 92
A Treasure Hunt
Make 24 little white sticks, each about three inches long, and as thick
as a pencil. They are easy to make of willow shoots, after the bark is
peeled off. While the young folk hide their eyes, the Guide walks off in
the woods, ties a white rag on a tall stake or limb, for the point of
beginning. Then, one step apart and in a very crooked line, sets each of
the little white sticks in the ground, standing straight up. Under the
last stick should be buried the treasure; usually a stick of chocolate.
This the players are to find by following the sticks.
When the young folk get used to it, the line should be longer, the
sticks farther apart, and the last one may be ten steps from the last
but one.
When they are well trained at it, scraps of paper, white beans, corn, or
even chalk marks on trees, instead of sticks, will serve for trail; and
still later holes prodded in the ground with a sharp pointed cane will
do.
This game can be played in the snow; in which case, the track of the
Guide, when he hides the treasure, takes the place of the sticks.
Finally it makes a good game for indoors on a rainy day. In which case
we use buttons, corn, or scraps of white cotton for trail sticks. Of
course the trail now should be upstairs and down, and as long and
crooked as possible.
TALE 93
Moving Pictures
One of the best developers of imagination is the Moving Picture.
Sometimes called Pantomime, or Dumb-show which means all signs without
sounds.
The one who is to put on the "movie" is given a subject and must then
stand out on the stage or Council Ring, and carry all the story to the
spectators, without using any sound and with as few accessories as
possible.
The "print between the reels" is supplied by the Guide who simply
announces what is needed to explain.
The following subjects have been used successfully (unless otherwise
stated they are for one actor each):
Public-domain text, read in full here on John Shaqi.
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