Great Britain -- History -- Commonwealth and Protectorate, 1649-1660 -- Fiction; Historical fiction
As thus he called together the articles of his Calvinistic creed, the
bell of the great clock (a token seldom silent in such narratives)
tolled three, and was immediately followed by the hoarse call of the
sentinels through vault and gallery, up stairs and beneath, challenging
and answering each other with the usual watch-word, All’s Well. Their
voices mingled with the deep boom of the bell, yet ceased before that
was silent, and when they had died away, the tingling echo of the
prolonged knell was scarcely audible. Ere yet that last distant
tingling had finally subsided into silence, it seemed as if it again
was awakened; and Everard could hardly judge at first whether a new
echo had taken up the falling cadence, or whether some other and
separate sound was disturbing anew the silence to which the deep knell
had, as its voice ceased, consigned the ancient mansion and the woods
around it.
But the doubt was soon cleared up. The musical tones which had mingled
with the dying echoes of the knell, seemed at first to prolong, and
afterwards to survive them. A wild strain of melody, beginning at a
distance, and growing louder as it advanced, seemed to pass from room
to room, from cabinet to gallery, from hall to bower, through the
deserted and dishonoured ruins of the ancient residence of so many
sovereigns; and, as it approached, no soldier gave alarm, nor did any
of the numerous guests of various degrees, who spent an unpleasant and
terrified night in that ancient mansion, seem to dare to announce to
each other the inexplicable cause of apprehension.
Everard’s excited state of mind did not permit him to be so passive.
The sounds approached so nigh, that it seemed they were performing, in
the very next apartment, a solemn service for the dead, when he gave
the alarm, by calling loudly to his trusty attendant and friend
Wildrake, who slumbered in the next chamber with only a door betwixt
them, and even that ajar. “Wildrake—Wildrake!—Up—Up! Dost thou not hear
the alarm?” There was no answer from Wildrake, though the musical
sounds, which now rung through the apartment, as if the performers had
actually been, within its precincts, would have been sufficient to
awaken a sleeping person, even without the shout of his comrade and
patron.
“Alarm!—Roger Wildrake—alarm!” again called Everard, getting out of bed
and grasping his weapons—“Get a light, and cry alarm!” There was no
answer. His voice died away as the sound of the music seemed also to
die; and the same soft sweet voice, which still to his thinking
resembled that of Alice Lee, was heard in his apartment, and, as he
thought, at no distance from him.
“Your comrade will not answer,” said the low soft voice. “Those only
hear the alarm whose consciences feel the call!”
“Again this mummery!” said Everard. “I am better armed than I was of
late; and but for the sound of that voice, the speaker had bought his
trifling dear.”
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account