His next investigation respected the picture of Victor Lee itself. He examined it minutely as he stood on the floor before it, and compared its pale, shadowy, faintly-traced outlines, its faded colours, the stern repose of the eye, and death-like pallidness of the countenance, with its different aspect on the preceding night, when illuminated by the artificial light which fell full upon it, while it left every other part of the room in comparative darkness. The features seemed then to have an unnatural glow, while the rising and falling of the flame in the chimney gave the head and limbs something which resembled the appearance of actual motion. Now, seen by day, it was a mere picture of the hard and ancient school of Holbein; last night, it seemed for the moment something more. Determined to get to the bottom of this contrivance if possible, Everard, by the assistance of a table and chair, examined the portrait still more closely, and endeavoured to ascertain the existence of any private spring, by which it might be slipt aside,—a contrivance not unfrequent in ancient buildings, which usually abounded with means of access and escape, communicated to none but the lords of the castle, or their immediate confidants. But the panel on which Victor Lee was painted was firmly fixed in the wainscoting of the apartment, of which it made a part, and the Colonel satisfied himself that it could not have been used for the purpose which he had suspected. He next aroused his faithful squire, Wildrake, who, notwithstanding his deep share of the “blessedness of sleep,” had scarce even yet got rid of the effects of the grace-cup of the preceding evening. “It was the reward,” according to his own view of the matter, “of his temperance; one single draught having made him sleep more late and more sound than a matter of half-a-dozen, or from thence to a dozen pulls, would have done, when he was guilty of the enormity of rere-suppers,[1] and of drinking deep after them.” [1] Rere-suppers (_quasi arrière_) belonged to a species of luxury introduced in the jolly days of King James’s extravagance, and continued through the subsequent reign. The supper took place at an early hour, six or seven o’clock at latest—the rere-supper was a postliminary banquet, a _hors d’œuvre_, which made its appearance at ten or eleven, and served as an apology for prolonging the entertainment till midnight. “Had your temperate draught,” said Everard, “been but a thought more strongly seasoned, Wildrake, thou hadst slept so sound that the last trump only could have waked thee.” “And then,” answered Wildrake, “I should have waked with a headache, Mark; for I see my modest sip has not exempted me from that epilogue.— But let us go forth, and see how the night, which we have passed so strangely, has been spent by the rest of them. I suspect they are all right willing to evacuate Woodstock, unless they have either rested better than we, or at least been more lucky in lodgings.”