“His figure was not merely tall, but more properly long and slender to excess; his complexion, and particularly his hands, of a most unhealthy paleness. His eyes were remarkably bright and penetrating, very dark and lively: his voice was not strong, but his tones were exceedingly pleasant, and if I may say so, highly gentlemanly. I do not remember his common gait; he always entered a room in that style of affected delicacy which fashion had then made almost natural--_chapeau bras_ between his hands, as if he wished to compress it, or under his arm, knees bent, and feet on tiptoe, as if afraid of a wet floor. His dress in visiting was most usually, in summer, when I most saw him, a lavender suit, the waistcoat embroidered with a little silver, or of white silk worked in the tambour, partridge silk stockings, and gold buckles, ruffles and frill generally lace. I remember, when a child, thinking him very much under-dressed, if at any time, except in mourning, he wore hemmed cambric. In summer, no powder, but his wig combed straight, and showing his very smooth, pale forehead, and queued behind; in winter, powder.” IZAAC WALTON 1593-1683 [Sidenote: Zouch’s _Memoir of Izaac Walton_. *] “The features of the countenance often enable us to form a judgment, not very fallible, of the disposition of the mind. In few portraits can this discovery be more successfully pursued than in that of Izaac Walton. Lavater, the acute master of physiognomy, would, I think, instantly acknowledge in it the decisive traits of the original,--mild complacency, forbearance, mature consideration, calm activity, peace, sound understanding, power of thought, discerning attention, and secretly active friendship. Happy in his unblemished integrity, happy in the approbation and esteem of others, he inwraps himself in his own virtue. The exaltation of a good conscience eminently shines forth in this venerable person-- ‘Candida semper Gaudia, et in vultu curarum ignara voluptas.’” JOHN WILSON 1785-1854 [Sidenote: de Quincey’s _Life and writings_.]