“Stooping his short and spare but thick-set figure as he walked,
wearing his ill-brushed hat upon the extreme back of his head, clothed
in the slovenliest way in a semi-clerical dress of the shabbiest
character, he sauntered by with his right arm habitually clasped behind
him in his left hand,--altogether presenting to view so distinctly
the appearance of a member of one of the mendicant orders, that upon
one occasion, in the Rue de Rivoli, an intimate friend of his found
it impossible to resist the impulse of slipping a sou into the open
palm of his right hand, with the apologetic remark, ‘You _do_ look so
like a beggar.’ Apart, however, from his threadbare garb and shambling
gait, there were personal traits of character about him which caught
the attention almost at a glance, and piqued the curiosity of even the
least observant wayfarer. The ‘roguish Hibernian mouth,’ noted in his
regard by Mr. Gruneisen, and the gray piercing eyes, that looked up at
you so keenly over his spectacles, won your interest in him even upon a
first introduction. From the mocking lips soon afterwards, if you fell
into conversation with him, came the ‘loud snappish laugh,’ with which,
as Mr. Blanchard Jerrold remarks, the Father so frequently evinced
his appreciation of a casual witticism--uproarious fits of merriment
signalising at other moments one of his own ironical successes,
outbursts of fun followed during his later years by the racking cough
with which he was too often then tormented.”
[Sidenote: Blanchard Jerrold’s _Final Reliques of Father Prout_.]
Public-domain text, read in full here on John Shaqi.
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