“Yet though Mr. Maurice’s voice seemed to be the essential part of
him as a religious teacher, his face, if you ever looked at it, was
quite in keeping with his voice. His eye was full of sweetness, but
fixed, and, as it were, fascinated on some ideal point. His countenance
expressed nervous, high-strung tension, as though all the various play
of feelings in ordinary human nature converged, in him, towards a
single focus, the declaration of the divine purpose. Yet this tension,
this peremptoriness, this convergence of his whole nature on a single
point, never gave the effect of a dictatorial air for a moment. There
was a quiver in his voice, a tremulousness in the strong deep lines
of his face, a tenderness in his eye, which assured you at once that
nothing of the hard crystallising character of a dogmatic belief in
the Absolute had conquered his heart, and most men recognised this,
for the hardest and most business-like voices took a tender and almost
caressing tone in addressing him.”
JOHN MILTON
1608-1674
[Sidenote: D’Israeli’s _Curiosities of Literature_.]
“Salmasius sometimes reproaches Milton as being but a puny piece of
man, an homunculus, a dwarf deprived of the human figure, a bloodless
being composed of nothing but skin and bone, a contemptible pedagogue,
fit only to flog his boys; and rising into a poetic frenzy applies to
him the words of Virgil: ‘_Monstrum horrendum, informe, ingens, cui
lumen ademptum._’ Our great poet thought this senseless declamation
merited a serious refutation; perhaps he did not wish to appear
despicable in the eyes of the ladies; and he would not be silent on the
subject, he says, lest any one should consider him as the credulous
Spaniards are made to believe by their priests, that a heretic is a
kind of rhinoceros or a dog-headed monster. Milton says that he does
not think any one ever considered him as unbeautiful; that his size
rather approaches mediocrity than the diminutive; that he still felt
the same courage and the same strength which he possessed when young,
when, with his sword, he felt no difficulty to combat with men more
robust than himself; that his face, far from being pale, emaciated, and
wrinkled, was sufficiently creditable to him: for though he had passed
his fortieth year, he was in all other respects ten years younger. And
very pathetically he adds, ‘That even his eyes, blind as they are,
are unblemished in their appearance; in this instance alone, and much
against my inclination, I am a deceiver!’”
[Sidenote: Aubrey’s _Lives of Eminent Persons_.]
Public-domain text, read in full here on John Shaqi.
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