WordsworthMyers, F. W. H. (Frederic William Henry)
General
Wordsworth
Myers, F. W. H. (Frederic William Henry)
Poets, English -- 19th century -- Biography; Wordsworth, William, 1770-1850
Lines something like these might have occurred in _The Thorn_ or
_The Idiot Boy_. Nothing could be more different from the style of
the sonnets, or of the _Ode to Duty_, or of _Laodamia_. And yet both
the simplicity of the earlier and the pomp of the later poems were
almost always noble; nor is the transition from the one style to the
other a perplexing or abnormal thing. For all sincere styles are
congruous to one another, whether they be adorned or no, as all high
natures are congruous to one another, whether in the garb of peasant
or of prince. What is incongruous to both is affectation, vulgarity,
egoism; and while the noble style can be interchangeably childlike
or magnificent, as its theme requires, the ignoble can neither
simplify itself into purity nor deck itself into grandeur.
It need not, therefore, surprise us to find the classical models
becoming more and more dominant in Wordsworth's mind, till the poet
of _Poor Susan_ and _The Cuckoo_ spends months over the attempt to
translate the _Æneid_,--to win the secret of that style which he
placed at the head of all poetic styles, and of those verses which
"wind," as he says, "with the majesty of the Conscript Fathers
entering the Senate-house in solemn procession," and envelope in
their imperial melancholy all the sorrows and the fates of man.
And, indeed, so tranquil and uniform was the life which we are now
retracing, and at the same time so receptive of any noble influence
which opportunity might bring, that a real epoch is marked in
Wordsworth's poetical career by the mere re-reading of some Latin
authors in 1814-16 with a view to preparing his eldest son for the
University. Among the poets whom he thus studied was one in whom he
might seem to discern his own spirit endowed with grander proportions,
and meditating on sadder fates. Among the poets of the battlefield,
of the study, of the boudoir, he encountered the first Priest of
Nature, the first poet in Europe who had deliberately shunned the
life of courts and cities for the mere joy in Nature's presence, for
"sweet Parthenope and the fields beside Vesevus' hill."
Public-domain text, read in full here on John Shaqi.
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